Sunday, January 07, 2018
The Course of True Love ...
In the episode of MASH that first aired on this night in 1973, "Love Story," Radar (Gary Burghoff) was a real mess.
He couldn't eat — oh, he would fill his plate with food, but then he would mysteriously decide that he wasn't hungry. And he couldn't sleep. Well, not normally. One day Henry (McLean Stevenson) came into his office and found Radar on top of the file cabinet — in the fetal position.
That was strange, even for Radar.
The doctors at the 4077th decided to give Radar a complete physical in an attempt to find out what was wrong. But all the tests indicated that he was in good physical health.
So Hawkeye (Alan Alda) and Trapper (Wayne Rogers) sat him down and asked him to 'fess up.
"What's turning you into a fruitcake?" Trapper asked.
Wordlessly Radar handed a 45 RPM record to Trapper, who put it on the record player in the tent. It was a recording from Radar's girlfriend back home — a "Dear John" recording informing Radar that she had decided not to wait for him and was going to marry someone else.
When the recording was over, Trapper and Hawkeye turned to give Radar some supportive advice — only to find that he was sleeping in the fetal position on one of the cots.
Thus began an effort to find a new love interest for Radar, but Hawkeye and Trapper could find no takers among the ladies of the camp.
Then arrived a pretty lieutenant (Kelly Jean Peters) and Radar was infatuated.
Hawkeye volunteered to help the new arrival unpack so he could learn about her musical and literary preferences, and he reported back to Radar with bad news — she was a fan of the classics in both categories. She carried recordings of Bach, Tchaikovsky and Shostakovich with her as well as volumes of classical literature and poetry. Carrying on a conversation with her was going to be a challenge for someone like Radar, a naive farm boy who was probably more at home with a Spike Jones record and a Captain Marvel comic book.
But Hawkeye was ready with tips for Radar, and he coached him in diversionary responses.
If the lieutenant spoke about Tchaikovsky or Shostakovich, for example, Hawkeye said Radar should simply look bored. But if she mentioned Bach, Hawkeye recommended a nod, a knowing smile and an "Ahhh, Bach."
Either response was sure to cut short that discussion.
And, as a matter of fact, she did mention Bach when the four were having a meal in the mess tent. And Radar followed Hawkeye's advice.
But she threw him a curve. She asked him what that meant. He replied with something else Hawkeye told him to say — "That's highly significant."
You might say Radar jumped the conversational gun on that one.
"I haven't said anything yet," she replied.
"That's OK," Radar ad–libbed. "I have confidence in you, Lieutenant."
Somehow Radar managed to start a blossoming relationship that Hot Lips (Loretta Swit) and Frank (Larry Linville) were determined to nip in the bud.
The relationship was counter to regulations, and Frank and Hot Lips were sticklers for regulations — conveniently overlooking the fact that their romance wasn't exactly in line with regulations, either.
Part of Hot Lips' strategy included sending letters of complaint to the unit's commander, General Clayton.
Hawkeye and Trapper were just as determined to stop them and dipped into their extensive bag of tricks to do so.
Well, as Shakespeare wrote in "A Midsummer Night's Dream," the course of true love never did run smooth.
Labels:
1973,
Alan Alda,
episode,
Gary Burghoff,
Kelly Jean Peters,
Larry Linville,
Loretta Swit,
Love Story,
MASH,
sitcom,
TV,
Wayne Rogers