Showing posts with label John Spencer. Show all posts
Showing posts with label John Spencer. Show all posts
Monday, April 30, 2018
Was There Life on Mars?
Matthew Perry only made three appearances on West Wing as Joe Quincy, the new deputy counsel. His second appearance was on this night in 2003 — ostensibly his first day on the job. He interviewed for the job in the previous week's episode; while he wasn't actually hired in that episode, it was strongly implied that he would be. In November 2003 he made his final appearance on the show, approaching the chief justice, who was in poor health, about stepping down.
On this night in 2003, Perry's character did a little detective work that ended up bringing down the vice president (Tim Matheson). The whole thing got started because the veep had been having an affair with a prominent reporter who had been an anonymous source for the Washington Post's science editor that the White House was concealing a report that supposedly indicated that there may have been, at some time, life on Mars.
This report would have been under the supervision of the vice president, but classifying the report would have been the responsibility of the Department of Defense.
Sounds ridiculous, doesn't it? Well, that was C.J.'s (Allison Janney) initial response, too.
But, as the audience learned later in the episode, the vice president was one of those guys who like to brag to come across as more important. Seems sort of unnecessary for a man who has risen to the position of vice president. It's also a bit naive for a man who participated in two national political campaigns as well as however many races for office in his home state to be telling something like that to a reporter, even — or perhaps especially — one with whom he was intimate.
This reporter, by the way, had just been the recipient of a seven–figure book deal.
Perry started putting tidbits of information together, then discovered in the White House telephone logs records of numerous conversations between the vice president and this reporter. He brought this to C.J.'s attention, and she recognized the severity of the situation.
That led to a visit to the vice president's office from C.J., Joe Quincy, Josh (Bradley Whitford) and Toby (Richard Schiff). In this meeting, the vice president learned what those four already knew and was advised to talk things over with his family.
Whether he actually did meet with his family was only implied in his answer to a question from the president, who asked if he had spoken with his wife. He did, however, meet with the president (Martin Sheen) and the chief of staff (John Spencer), both of whom urged him to weather the storm.
But he would have none of it. He had decided to resign because he didn't want his family to be exposed to the mudfight that would follow.
West Wing fans may have thought they had heard the last from the vice president. Not so. He would return as a candidate for the presidential nomination in a few years.
Saturday, May 14, 2016
A Decade Without the West Wing
Bartlet (Martin Sheen): How's the speech?
Santos (Jimmy Smits): It's OK. A couple of good lines. There's no 'Ask not what your country can do for you ...'
Bartlet: JFK really screwed us with that one, didn't he?
There are some milestones that seem to be about right, and some milestones that don't seem right.
Tonight is the 10th anniversary of the final episode of the West Wing. In my mind, that event ranks as one of the latter. I can't believe it has been a decade since that show went off the air.
For a long time, it was the only TV show that I watched regularly — and I do mean regularly. I almost never missed it.
And the episode that aired on this night in 2006 was a lot like the ones that preceded it. It told what would have been a linear story — if it was telling an actual story. It was the last chapter in the story of the Bartlet administration, the perfect way to finish the series.
As I mentioned last week, I would have liked for there to have been one more season, kind of a postscript to the story that told the viewers what each of the characters had been doing.
That was not done, but there were a few surprises in store for viewers. Toby (Richard Schiff) received a presidential pardon — I think most West Wing viewers suspected that would happen, but the outgoing president (Martin Sheen) dragged out his decision.
And the incoming president picked a one–time rival for the party nomination to be his vice president since his running mate in the series (John Spencer) died of a heart attack on Election Day.
Before the curtain fell on the series, though, the West Wing audience was treated to one last round of the show's snappy dialogue.
One of my favorite exchanges came about midway through when the president–elect (Jimmy Smits) and his wife (Teri Polo) were on their way to the inaugural festivities.
"Nine inaugural balls," the soon–to–be first lady said. "You think I'm supposed to wear nine gowns?"
"Do you have nine gowns?" the soon–to–be president asked.
"No," she replied.
"Well, then, probably not," he said.
(Actually, it seems to me that Inaugural Day is a little late to be sweating that kind of detail.)
I always liked the snappy dialogue, but, I must admit, I wondered something when I heard Mr. and Mrs. Santos speaking in the West Wing manner. Had they really morphed into President and Mrs. Bartlet?
I mean, I always thought that one of the benefits of democracy was getting different personalities with a change of administrations.
Still, I would recommend watching this episode before the next president takes the oath of office in January. The West Wing did an excellent job of showing viewers what happens on Inaugural Day — the behind–the–scenes stuff. While the new president is taking the oath and delivering the Inaugural Address — and then watching the Inaugural Parade — an army of workers descends upon the White House and moves the first family's belongings out and the new first family's belongings in.
I've heard that their work is so thorough that, when the new first family returns to the White House later on Inaugural Day, it is as if all their possessions had been magically transported to precisely where they were expected to be in the residence portion of the White House. That is especially important if the new president has children, who will want to easily find their favorite toys when they return to their new residence.
I guess the thinking is that a new first family's lives will be disrupted enough by their new positions in American life. Their private lives should offer some continuity and sanctuary from the outside world.
The two people between whom Americans will likely have to select the next president have no young children who would be moving in to the White House with them. They do have grandchildren — those grandchildren most likely would not be moving in with them, but they could be expected to be visitors from time to time.
How frequently they would visit might determine whether those workers would need to prepare special rooms for them.
A gentle reminder that, when Americans elect a president, they get that president's family in the bargain.
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Sunday, April 26, 2015
Letting Bartlet Be Bartlet
Mrs. Landingham (Kathryn Joosten): You don't get enough roughage.
Bartlet (Martin Sheen): I know I'd like to beat you senseless with a head of cabbage. I know that for damn sure.
Mrs. Landingham: Once again, you display an immaturity about vegetables that I think is not at all presidential.
I cannot honestly say that I know who said, "Let Reagan be Reagan," or what the circumstances were when it was said. I want to say that it was said when he was trying get Robert Bork on the Supreme Court — but I really don't know that for certain.
Perhaps it originated even earlier.
Whenever it was said, it was almost certainly said by one of Ronald Reagan's advisers at a time when Reagan's supporters were under the impression (whether rightly or wrongly) that he was being stymied by some people, and they wanted him to be free to say what he really believed.
It was a rallying cry that I heard from time to time during Reagan's presidency in the 1980s; in the intervening years, it has become something of a cliche, suggesting that a chief executive — a governor or a president — needs to be more assertive and proactive in his advocacy of (or opposition to) something or someone. Anyway, it was a pretty good inspiration for an episode of the West Wing that first aired 15 years ago tonight.
The overall theme of the story was the White House wasn't accomplishing much, and the West Wing staff was drifting into a malaise, just sort of spinning its wheels. At one point, Josh (Bradley Whitford) observed to Toby (Richard Schiff), "Our second year doesn't seem to be going a whole lot better than our first, does it?"
"No," Toby replied.
That really summed things up.
The episode began disarmingly with the president about to speak before an organization of trout fishermen, and speech writers Toby and Sam (Rob Lowe) discussing whether to change a reference to a "magnificent vista" that the president was supposed to be seeing at an outdoor event — because of what appeared to be an increasing chance of rain that might force the event indoors.
As it turned out, it did rain, and the event was moved indoors — but, after all their talk, neither Toby nor Sam changed the reference, and the president said it, anyway.
That was one side story. There were always side stories in West Wing episodes. Sometimes you really had to be on your toes to figure out their relevance to the overall theme before that relevance was revealed to the audience. In the interim, though, there was always snappy dialogue, like the exchange between Josh and his secretary Donna (Janel Moloney) after Josh had been informed by House Republicans that, if the president nominated the people he was likely to nominate for two openings on the Federal Election Commission, not only would they reject the nominees but they would send all sorts of pet bills to the president's desk, bills that he was sure not to like ... starting with one making English the official language of the United States.
"Are we for it or against it?" Donna asked.
"Donna ..." Josh began.
"I mean, we're not in favor of making another language the official language, are we?" she asked. "Like Dutch or something?"
There was also a side story about gays in military — a topic which may seem a little dated now but was straight from the headlines in the morning paper in April 2000. The White House and the military representatives who were assigned to come to some sort of agreement were at an impasse when Admiral Fitzwallace (John Amos) dropped by.
Fitzwallace asked the military reps what they thought about gays in the military, then proceeded to answer for them — or at least finish their answers for them. One said, "We're not prejudiced toward homosexuals."
"You just don't want to see them serving in the armed forces," Fitz said.
"No, sir, I don't," the military rep said.
"Because they pose a threat to unit discipline and cohesion."
"Yes, sir," the other rep said.
"That's what I think, too," the admiral said. "I also think the military wasn't designed to be an instrument of social change."
"Yes, sir," the first rep said.
"Problem with that," the admiral observed, "is that's what they were saying about me 50 years ago. Blacks shouldn't serve with whites. It would disrupt the unit. You know what? It did disrupt the unit. The unit got over it. The unit changed. I'm an admiral in the U.S. Navy and chairman of the Joint Chiefs of Staff. Beat that with a stick."
But the main story had to do with media consultant Mandy (Moira Kelly), who had written a memo concerning the weaknesses and vulnerabilities of the president and the White House staff when she worked for one of the president's party rivals. The memo had been leaked after she went to work for the White House; she had no idea who had it, only that it was out there somewhere.
C.J. (Allison Janney) tried to find out who had the memo — and discovered that White House reporter Danny (Timothy Busfield) had it and was planning to write about it. It was clear early in the series that Danny had feelings for C.J., and I would venture to say that most West Wing viewers knew that C.J. harbored a simmering attraction to Danny beneath the surface.
But I really admired the writers on this episode. Danny and C.J. had a frank conversation about the relationship between the White House and the reporters who cover it, about what news is and is not — and, as a journalist, I appreciated it and found a lot in it that was true. It probably would have been easy for the writers to allow Danny to compromise his principles in order to curry favor with C.J. — and I have no doubt there are journalists who would do that.
Instead, both Danny and C.J. responded the way I would hope people in such a position would respond. Neither backed down, and both left the conversation with some grudging respect for the other.
The whole thing reached critical mass in the last scene, a showdown between the president and his chief of staff, Leo (John Spencer) that re–defined the objectives of the fictional Bartlet administration.
"We're going to change the level of public debate in this country," Leo told the staffers. "And let that be our legacy."
And the stage was set for the first of the West Wing's incomparable season finales.
Monday, April 06, 2015
In Pursuit of 2162 Votes
Ten years ago tonight, the season–ending episode of the West Wing gave viewers something of a glimpse of what would take place in just a few short years.
If viewers could have climbed aboard Marty McFly's DeLorean and traveled ahead a few years, they would have witnessed a scene that had a lot in common with that episode — when Barack Obama would become the first black nominee of a major party for president. But my guess is that, at the time, most viewers wouldn't have believed it if they had been told that it was a prophetic episode.
There were some differences, though, between fiction and the eventual fact.
In the episode that aired on this night in 2005, the Democrats nominated their first Latino candidate for president, played by Jimmy Smits. The title of the episode referred to the number of delegates that were required for nomination, but, unlike it has been in most postwar conventions, no candidate came into the convention with the nomination secured.
Smits' character was locked in a tight race for the nomination with the vice president (played by Gary Cole); the other candidate, the ex–vice president (Tim Matheson) who resigned in disgrace and then launched his quixotic campaign for the Oval Office, was a distant third, but he held enough delegates to prevent either of the others from claiming the nomination.
That is more dramatic than what really took place three years later. Obama cruised to his nomination, clinching it two or three months before the convention. In reality, it made for pretty dramatic television. But it wouldn't have been dramatic enough for a TV show.
The result was that viewers got a lot of inside–baseball kind of stuff — maneuverings and negotiations, behind the scenes things that a political junkie like myself can get into but can quickly become boring for viewers at home.
I could appreciate the subtleties of the writers' flights of fancy over what might happen in such a scenario. After all, a brokered convention is a relic from the past. Few, if any, living Americans have witnessed a genuine brokered convention so the episode might be considered more theory than fiction.
There was nothing fictional about Leo's (John Spencer) instructions to the leaders of the now–growing list of contenders for the nomination — the governor of Pennsylvania (Ed O'Neill) had rejected an overture from the vice president to be the running mate and was, instead, the subject of a supposedly spontaneous draft movement. I thought Leo probably spoke for the majority of viewers when he told them to unite behind a candidate before the president arrived to make his customary farewell speech to his party's convention. "One night of this is entertaining," Leo said. "Two nights, we look like idiots."
Anyway, after all the maneuverings, Smits' character emerged as the nominee, but before that, Leo stopped to speak to Josh (Bradley Whitford).
Leo had long felt that Santos should step aside for the good of the party, but Josh had resisted. In the end, Josh's man prevailed, and Leo accepted that. Then Josh dropped a bombshell on him — Leo was Santos' choice for running mate. Viewers had to wait until the start of the seventh and final season to find out if he would accept. I doubt if anyone thought he wouldn't.
Yes, it made for dramatic television, but it wasn't really true.
It was like in "Absence of Malice" when Sally Field's character was asked to describe her relationship with Paul Newman. "Just say we were involved," she replied.
"That's true, isn't it?" the reporter asked.
"No," Field responded, "but it's accurate."
The political developments in the West Wing weren't true, but they were accurate — at least within the context of what was known to be true.
And they did make for dramatic television.
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Monday, January 26, 2015
Revelations While Taking Out the Trash
Fifteen years ago tonight, The West Wing took an interesting approach to the subject of hate crimes — which, as I recall, was only emerging as a social issue at the time. Another instance of The West Wing being ahead of the curve.
It also examined the practice of dumping a bunch of unappealing stories (from the White House's point of view) on the press on Friday afternoon. The timing is purely political. As Josh (Bradley Whitford) observed, "No one reads the paper on Saturday." One such story, apparently, was to be the signing of a hate crimes bill that had been inspired by the murder of a gay teen whose parents would be in attendance. C.J. the press secretary (Allison Janney) was warned that the parents might be a problem — the father, really. The mother seemed to be on board with the law, but the father was said to be uncommunicative. C.J. concluded that he was grieving for his son — until it was suggested to her that he might be embarrassed by the knowledge that his son was a homosexual.
If I hadn't been a teacher — and had to answer similar questions — I would have found it hard to believe that C.J. had the following exchange with White House reporter Danny (Timothy Busfield). But I had a conversation with one of my college students several years ago who was genuinely surprised to learn that many religious leaders — of all faiths — had so little tolerance for those who did not share their views.
C.J.: "Is it possible that a father could be embarrassed about his son being gay even after his son was murdered?"
Danny: "Yes."
C.J.: "Possible to the extent that he would be disinclined to support a law that would impose stiffer penalties on the perpetrators of hate crimes, including the ones who tied his 17–year–old son to a tree and threw rocks at his head?"
Danny: "Yes."
C.J.: "It eludes me."
Danny: "I know."
So C.J. met with the parents and tried to confront the issue — and she and the viewing audience were stunned to learn that they had misunderstood the father's response. He was angry that the government and, in particular, the president hadn't done enough for gay rights.
The West Wing was good at that — throwing you a high hanging curve like that when you were looking for a fastball.
There was also an amusing side story about a report on sex education and sexual behavior among young people and a proposed program that encouraged abstinence among young people. A more liberal slant was given the program by renaming it "Abstinence Plus," which apparently encouraged everything except activity that could lead to the conception of a baby. Sam (Rob Lowe) was said to have nicknamed it "Everything But."
There were always several stories going on in an episode of The West Wing, especially in that first season when it was building a devoted audience base; eventually, though, they were all shown to be relevant to each other.
An ongoing topic in the series in that first year was the revelation that the president's chief of staff (John Spencer) was a recovering alcoholic and drug abuser. The information had been leaked to leaders of the Republican Congress.
Turned out that a young intern had been the source of the leaked information, and Sam had her fired.
But Leo (Spencer) asked for her to be brought to his office before she left. He wanted to talk to her, to get to know her, to find out why she had leaked the information. When they were done, Leo gave her back her job — another interesting twist that probably wouldn't happen in a modern White House. I'm not so sure it would have happened then, either, but it is nice to think that there was a time in our history when people of principle still held positions of power in America.
Monday, September 22, 2014
Peeking Behind the Scenes at the 'West Wing'
Laurie (Lisa Edelstein): Tell your friend POTUS he's got a funny name, and he should learn how to ride a bicycle.
Sam (Rob Lowe): I would, but he's not my friend; he's my boss. It's not his name; it's his title.
Laurie: POTUS?
Sam: President of the United States. I'll call ya.
Fifteen years ago tonight, one of my favorite TV programs of all time, The West Wing, made its first appearance on America's TV screens. (Of course, I am a political junkie, anyway, so I suppose it isn't really surprising that the show appealed to me.)
That first episode was a mangled, dangling mass of loose strings — or so it must have seemed to many viewers. Some of those loose ends took seven years to tie together. It was a very literate script, written by very savvy writers. Frankly, there were times when I thought that, in spite of the elementary nature of that first episode, parts of it might be over some viewers' heads. I suppose that is a risk you run with just about anything on TV.
That very basic first story dealt with how the president got hurt riding a bicycle. As the episode unfolded, viewers became acquainted with the characters — and learned that there was much more to the story than met the eye. The West Wing was like that; it tended to set up its viewers — and usually delivered a gentle knockout punch in the last five minutes — gentle in the sense that viewers almost never saw it coming.
In some ways, the cast of that first episode did not really resemble the cast of the final episode seven years later. There was a core of characters who remained with the show from start to finish, but others came and went, as they do in the real West Wing. I felt that angle added a touch of realism to the stories, kind of like the ever–changing nature of the ensemble cast of "M*A*S*H."
Some of those characters, like Allison Janney who played C.J. the press secretary, became very well known through their work on the series — even if some weren't originally intended to be regulars. Others, who may have been expected to be long–term characters, were there briefly, then left and were never heard from again.
Martin Sheen, who played the president, wasn't supposed to be a major presence on the show. The series was really supposed to be about the president's staff. But he quickly became a regular, as did the first lady (Stockard Channing), who wasn't even seen 15 years ago tonight. I think the only time she was mentioned was during Sheen's monologue near the end of the episode.
I believe Janel Moloney, who played Donna, the aide to Josh (Bradley Whitford), was only intended to be an occasional character, but she wound up staying with the series to the last episode — and became a much more significant (and popular) character in the process.
Ironically, viewers weren't sure just how attached they should get to Whitford's character that first night. He was, in the words of the first President Bush, in deep doo–doo after insulting a pundit from the Christian right on the air; as a result, the as–yet unseen president was said to be ready to fire Josh — but had not, primarily because of intervention on his behalf by others, especially Leo, the chief of staff (John Spencer).
For that matter, I wasn't sure about Lisa Edelstein's character, a "high–priced call girl" who appeared destined to be the significant other for Sam the speech writer (Rob Lowe). There was something noble about Edelstein. Her character was using the proceeds from her prostitution to pay for her education so she wasn't your run–of–the–mill call girl. She was in a few other episodes in that first season, and her relationship with Sam seemed to be blooming, but she did not remain with the series. I recall no explanation being given.
Sam had kind of a shaky start that night. He didn't know Edelstein was a call girl when he slept with her — and, unfortunately, when he tried to explain to the communications director, Toby (Richard Schiff), what had happened, he neglected to elaborate after he said, "I accidentally slept with a prostitute." Toby was, understandably, bewildered. "Accidentally? I don't understand. Did you trip over something?"
Likewise, Moira Kelly played a political consultant and Josh's former girlfriend. She seemed to be destined for a long–term role on the show but left after the first season (actually, her involvement was less and less each week until it apparently dwindled to nothing before the end of the season) and was never mentioned again.
The reason for Sheen's bicycle accident was mostly a mystery that first night — until Sheen showed up near the end of the episode and clarified things considerably. That, as I understand it, was kind of how the series was originally designed. The focus would be on the staff, the president would pop in from time to time to sort of tie together the loose ends.
On this occasion, though, it seems more appropriate to reflect on the series, which ran for seven years, than to obsess over the meat of that first episode. The show was pigeonholed by some as a liberal's fantasy of how things ought to work — and it was that, to be sure. It was a product of its times, patterned to a great extent after the Clinton administration, a clearly Democrat president contending with a Congress that just as clearly was dominated by Republicans.
Many of the show's advisers came from the Clinton administration, and sometimes episodes were almost wistful reflections on how the writers apparently wished things could have been in the late 1990s.
The great thing about the West Wing, though, was how it appealed to people across the political spectrum. I knew people who were Democrats, Republicans, even independents who watched the show faithfully and wished for a president like Jed Bartlet.
Makes you wonder, doesn't it? If they can agree on a TV show about a president and a Congress held by opposing parties ...
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