Showing posts with label Fourth of July. Show all posts
Showing posts with label Fourth of July. Show all posts

Thursday, June 20, 2013

The Return of the Twilight Zone Marathon



One of the pleasures I permit myself is the Syfy Channel's Twilight Zone Marathon, traditionally held twice a year — around New Year's Day and around the Fourth of July.

I don't know how long this has been done. When I first became aware of it, the marathon was two, even three days long. It always included the holiday, and it included the day before and/or the day after the holiday as well.

Over the years, the marathon has grown gradually smaller. At some point, it was reduced to two days, and now it is only one day. It makes me wonder if this tradition's days are numbered — so to speak.

A few years ago, Syfy experimented with the format a little. Most of the time, the marathon had been strictly episodes from the original Rod Serling–hosted series, but one year, half of the marathon was devoted to those original episodes and half of the marathon was episodes from the reincarnation of the series in the mid–1980s.

I rather liked that arrangement. It gave me an opportunity to see some episodes I hadn't seen in more than 20 years. But Syfy hasn't done that since.

Anyway, I am writing all this because the Fourth of July Marathon is two weeks from today, and I have been looking at the online schedule to see which episodes are being shown.

I wish I could report that a rarely seen episode will be shown at a certain time, but I saw nothing on the schedule that I haven't seen fairly frequently over the years. The marathon starts at 7 a.m. (Central) on the Fourth of July and wraps up at 5 a.m. the next day.

I've always had a fondness for the Twilight Zone's historical episodes, but my favorites — "Back There," which was about the Lincoln assassination, and "The 7th Is Made Up of Phantoms," which was about Custer's Last Stand — are not scheduled.

Most of the episodes that are considered iconic today are scheduled to be shown, like "Nick of Time," in which William Shatner and his new bride are prisoners of a fortune–telling machine in a diner; "Where Is Everybody," the very first episode in which Earl Holliman hallucinates in a sensory deprivation unit; "Nightmare at 20,000 Feet," in which Shatner believes he sees a gremlin trying to sabotage the plane in which he is traveling; and a couple of Burgess Meredith's best episodes, "The Obsolete Man," about a librarian who is declared obsolete, and "Time Enough at Last," about a voracious reader who survives a nuclear exchange and suddenly finds himself with enough time on his hands to read all the books he has always wanted to read.

(Those last two, incidentally, will be shown back to back.)

Another classic episode is "To Serve Man," about a group of seemingly generous benefactors from outer space whose only real objective is to fatten the people of earth so they can be a food source for aliens.

That one will be shown on Fourth of July night. You can watch it if you don't have to go to a fireworks display somewhere.

In the absence of any rarely seen episodes on the schedule, I guess I will warn you not to watch certain episodes that I find tedious. (Obviously, you may disagree with me on one, some or all of these so please take my recommendations with the customary grain of salt.)

At noon (Central), the marathon will feature "Number Twelve Looks Just Like You," a futuristic episode in which every person undergoes a transformation into his/her choice of one of several perfect bodies. A girl (Collin Wilcox) who is about to be transformed resists, preferring to hold on to her individual identity.

That would have been a good message — except the character capitulated in the end.

I always skip that one. I also skip the one that is scheduled to follow it, "I Sing the Body Electric," which was about a family without a mother. The father was torn between his duty as a breadwinner and his role as a parent. The solution seems to be a robotic grandmother.

There were some abandonment issues that were raised by the story, but it didn't have the Twilight Zone's usual punchy ending. Written by Ray Bradbury, it was mostly the basis for a short story Bradbury would publish a few years later.

"It's a Good Life," which is scheduled for 3 p.m. (Central), starred Bill Mumy as Anthony, a little boy who could wish things away — and consequently terrorized his little town.

A lot of people regard it as one of the best episodes of the series, but I don't. I suppose I liked it well enough when I first saw it, but it didn't have the staying power with me that it had with others. Some of the episodes I can watch over and over again, but not this one. Maybe Mumy is too solidly entrenched in my memory as the little boy from Lost in Space, one of my TV favorites from early in my childhood.

Whatever the reason, I generally skip that episode. I plan to skip it two weeks from today, too.

Other than that, though, I'm fine with the schedule, and I'll probably spend most of the Fourth of July in the Twilight Zone. As usual.

Monday, June 27, 2011

The Twilight Zone Marathon Returns



The cable channel formerly known as the Sci Fi Channel (and now known as the Syfy Channel) will resume its Fourth of July tradition of a multi–day marathon of Twilight Zone episodes.

This time last year, I mentioned here that this tradition had been disrupted, but it will be restored this year — according to the Syfy online schedule.

If you're familiar with the history of the original Twilight Zone series, you know that nearly all the episodes were 30 minutes long. The series ran for five years (1959–64), and, in nearly every season, the episodes were half an hour, (the fourth season, in which episodes were an hour in length, was the sole exception).

In past marathons, Syfy has shown the hour–long episodes in the early hours of the morning or in the middle of the afternoon. Prime time was reserved for the classic half–hour episodes.

I've looked at the schedule, and I have seen none of the hour–long episodes listed so I have to conclude that the fourth season will be left out of this year's marathon entirely.

I have discovered a few nuggets of rarely seen Twilight Zone gold that you may want to watch while you have the opportunity.

On Sunday, July 3, may I recommend:
  • "The Last Rites of Jeff Myrtlebank" at 10 a.m. (Central).

    I rarely see this episode, and you probably won't recognize anyone in the cast — but it's a great story about a young man who died — and then sat up in his coffin at his funeral. He began behaving in a — shall we say? — bizarre fashion thereafter.

    Looking for a chill on a hot summer day? This will get you there.

  • "Death's Head Revisited" at 5 p.m. (Central).

    I always liked this episode, and I have seen it far too infrequently over the years. It is about a Nazi officer who once presided with an iron hand over the prisoners in a World War II concentration camp. He returns, after years of hiding, and is confronted by the ghosts of his victims.

    If you have never seen it, I highly recommend it.

  • "The Howling Man" at 7:30 p.m. (Central).

    I've seen this one a little more frequently. It's about a mysterious monastery that has the devil under lock and key, but a man seeking shelter for the night releases him, not realizing the identity of the prisoner.

    And the devil was unleashed upon the world, bringing to an end a period of relative harmony in the world. Perfect harmony, as Brother Jerome tells the man, is not possible, but unchecked evil makes things worse than they have to be.
And next Monday the Fourth, why not give these episodes a glimpse?
  • "The Hunt" at 9 a.m. (Central).

    Remember the old Rip Van Winkle story? This episode always kind of reminded me of that one. It wasn't exactly a re–telling of the story, but it certainly could have been inspired by it.

    An old man and his dog drown while on a nighttime hunting trip. Unaware that they have died, their spirits return to their home, where no one can see them. The rest of the story deals with their adjustment to the afterlife.

    OK, the ending is a little corny.


  • "And When the Sky Was Opened" at 2:30 p.m. (Central).

    Three astronauts return from a trip to outer space, then, one by one, they vanish, leaving no trace that they were ever around.

    In the past, this one has been part of Syfy's marathon sometimes — and sometimes it hasn't.

    This year, it is. Catch it while it's on.

  • "The Obsolete Man" at 5 p.m. (Central).

    I wrote about this one earlier this month — on the 50th anniversary of its debut.

    You can see three of the four Burgess Meredith Twilight Zone episodes in this year's Fourth of July marathon, and this is one of them. I recommend it.


  • "A Stop at Willoughby" at 8:30 p.m. (Central).

    If you aren't going out to see a fireworks display, may I suggest that you catch this episode?

    It's kind of a cautionary tale, still relevant in today's high–pressure environment, even though it first aired more than 50 years ago.

    James Daly plays an advertising executive who dozes off on the commuter train and wakes up in the 19th century — on board an old–fashioned train that stops in a sleepy village called Willoughby where the pace is slow and people go fishing and attend band concerts, not staff meetings.
Well, that's just a sample of what is available on Sunday and Monday, at just about any hour of the day or night (there are a couple of hours in the early morning when paid programming will air — gotta pay the bills, don't you know).

You can catch a good episode just about any time you tune in on Sunday or Monday.

Have a good holiday weekend.

Friday, June 19, 2009

A Different Kind of Twilight Zone Marathon



I don't get too worked up about most TV "marathons."

Some stations, like TVLand or Nick at Nite, are always doing them, but they show episodes of series they're adding to their regular schedule. It's a marketing tool. Those episodes will be repeated frequently in the months to come so there isn't anything special about them. There's no sense of urgency. If you miss one, who cares?

But several years ago, I recall, TVLand did weekend marathons of shows that weren't usually part of their regular schedules. I always enjoyed them because they were viewing treats.

Well, the Sci–Fi Channel has just such a treat in store for us in a couple of weeks.

Twice a year, the Sci–FI Channel has a marathon of "Twilight Zone" episodes — around New Year's Day and the Fourth of July. In the past, these marathons have consisted exclusively of the black–and–white Rod Serling episodes from the late 1950s and early 1960s. But the show has had several incarnations in recent years, and, in this year's marathon, Sci–Fi is going to show some episodes from the second incarnation from the mid–1980s, which made its debut about 10 years after Serling died.

From 7 a.m. (Central) on Thursday, July 2, when the marathon begins with one of the best episodes from the second series, "Nightcrawlers," until 3:30 p.m. (Central) on Friday, July 3, when the mid–1980s portion of the marathon concludes with another one of the best episodes from that time period, "The Toys of Caliban," you can see stories that did a fine job of maintaining Serling's standards — at least, in my opinion.

You can judge for yourself, because the marathon picks up with the original episodes from the late '50s and early '60s at 4 p.m. (Central) on Friday and continues to show those vintage programs through Saturday, July 4.

I know that some fans panned the show in the mid–1980s, but I didn't. And I consider myself a fan of the original "Twilight Zone."

In the second generation of the "Twilight Zone" series, the show was an hour long, but it generally consisted of two 30–minute stories. A few of the stories were an hour long, though, and a couple of them are scheduled to be shown on Thursday — "Her Pilgrim Soul" from 1:30–2:30 p.m. (Central) and "A Message From Charity" from 3:30–4:30 p.m. (Central).

My recollection is that both of those episodes also were good — but I haven't seen them in more than 20 years.

In those days, I was working the night shift on the copy desk of a daily newspaper. I remember setting my video recorder to tape the show when it was on and then watching it when I got home later that night. But I generally watched each episode once and then taped over the recording. So I'm relying on a limited memory.

But I'm looking forward to this year's marathon because it will give me the chance to see some shows I haven't seen in a long time.

And who knows when I may see them again?