Showing posts with label Marsha Mason. Show all posts
Showing posts with label Marsha Mason. Show all posts

Saturday, May 06, 2017

Resolving a Family Crisis



"As we speak, hordes of viral Visigoths are hurling themselves over the battlements of my immune system, laying waste to my ... Oh, dear God, you see how weak I am? I can't even finish a simple Visigoth metaphor."

Frasier (Kelsey Grammer)

Take it from me.

I've lived nearly my whole life in the South. The heat makes people irritable.

Not all people. I've known some people in the South who thrive in the heat.

In the South you get used to the idea that it is going to be hot for more than half the year (as a child I often wondered how people in this part of the country survived in the days before air conditioning) — but there are always breaks in the heat, maybe a day or so, that remind people what is waiting for them a few weeks — or perhaps months — down the line.

That is true even here in North Texas. We don't get many breaks from the heat, but we usually have a few punctuating the triple–digit days. They make the often brutally hot days of summer somewhat easier to take.

But that doesn't change the fact that the heat makes people irritable.

They have hot days up north, too, but they aren't prepared for it. That was a big part of the problem in the episode of Frasier that aired 20 years ago tonight, "Daphne Hates Sherry."

Folks in the Pacific Northwest simply aren't prepared for the heat. Heat waves are rare in Seattle, but the city was struggling with one in the episode of Frasier that aired 20 years ago.

That was clearly a factor, but it wasn't the only one.

Sherry (Marsha Mason) was spending the nights with Martin (John Mahoney) on a regular basis, and that led to conflicts between her and Daphne (Jane Leeves), who was accustomed to making the household decisions. I suspected that, under those circumstances, there would have been friction even if Seattle wasn't experiencing a heat wave.

Heat waves do affect people, though. Frasier (Kelsey Grammer) was struggling with the flu, which may or may not have had anything to do with the heat. I've heard of summer colds all my life — I've even had one or two — but I can't say I can recall hearing of people having the flu during hot weather (except in Stephen King's "The Stand"). Niles (David Hyde Pierce) was sweltering in his large, unair–conditioned apartment.

Anyway, after a quarrel with Sherry, Daphne stormed out of the apartment and ended up at Niles' door asking to spend the night. This was a few years before Daphne and Niles ended up getting married, and having Daphne at his door was a fantasy come true for Niles.

And for awhile they engaged in the kind of playful conversation people in such a situation would be expected to have. They were almost flirtatious — and, at the same time, they were hesitant to cross the line, aware perhaps that, if they did, there would be no going back.

(Indeed, a couple of seasons later, they did cross that line, and there was no going back.)

The awkwardness of the moment ended when Daphne realized that the pills she took for her thyroid condition were back at Frasier's apartment. She said she would run back to the apartment and get them, but Niles offered to go with her — and then fetch the pills for her. He didn't want to take the chance that Daphne and Sherry might make up — and his opportunity to spend the night with Daphne would vanish.

So they returned to Frasier's apartment, and everyone wound up in the bathroom where Frasier was taking a bubble bath.

Frasier the psychiatrist had to try to resolve the problem the women were having — which he did, and they made up. And everyone was happy except Niles. Frasier told a petulant Niles that he knew that the situation wasn't right. That was why he brought Daphne back.

Niles protested that they came back for her thyroid pills.

"You're a doctor," Frasier said. "Why didn't you just use your prescription pad?"

"Oh, my God!" Niles exclaimed as it dawned on him what Frasier was saying.

"Isn't there an all–night pharmacy across the street from your building?" Frasier asked.

"Oh, my God!" Niles exclaimed as he staggered out of the bathroom.

Sunday, January 13, 2013

When Words Aren't Enough




Daphne (Jane Leeves): I've got some shocking news. I found a ring in your father's underwear drawer.

Frasier (Kelsey Grammer): What on earth would leave a ring around his underwear drawer?

Readers of this blog know of my fondness for the Frasier TV series. And, as I have mentioned before, I really like all of the episodes. (Some more than others, of course.)

But I especially like the episode that made its debut 15 years ago tonight.

Martin (John Mahoney) decided that he wanted to get married again, and he got an engagement ring to pop the question to his girlfriend Sherry (Marsha Mason). Frasier (Kelsey Grammer) and Niles (David Hyde Pierce) learned of the existence of the ring through Daphne (Jane Leeves), who found it while going through Martin's dresser.

Neither of the sons was pleased with the prospect, and it was hilarious to hear what each was dreading. Frasier anticipated hearing Mendelssohn's "Wedding March" as played on the banjo.

Niles wondered what Sherry would want to be called — finally settling on "Ma" — and imagined the kinds of things he might say to her, i.e. ...
"Don't you look nice tonight, Ma."

"Yes, I'd like another corn dog, Ma."

"Off to the roller derby, Ma?"
As usual, Niles and Frasier could only think in terms of how Martin's presumed marriage would affect them.

And, with that as motivation, Niles hired a private investigator to look into Sherry's past. The investigator hadn't finished his work when Niles decided to call things off (after Martin learned about the investigator — but did not yet know for certain who had hired him), but he was able to report that Sherry had been married several times and had been engaged to but had not married at least one other man.

Armed with this information, Niles and Frasier tried to persuade their father to change his plans, but Martin replied that he had known about Sherry's past all along. His mind was made up.

Turned out, he knew all along what her answer would be, too. She didn't want to get married again, but he did.

Frasier knew nothing of this. He assumed that Sherry had accepted Martin's proposal and proceeded to make himself look foolish when it turned out she had not.

Frasier (Kelsey Grammer): I'd like you to know that everybody is 100% behind this decision. My God, we're all so excited.

Martin (John Mahoney): Frasier!

Sherry (Marsha Mason): Well, I'm so glad that you're so happy your father's breaking up with me.

Frasier: Breaking up? I had no idea.

Sherry: And you get paid to help people through their difficult moments?

Martin and Sherry parted ways, agreeing to remain friends, and Martin stayed in the bar after Sherry left, sitting in front of the TV, which was showing the Sonics and Bulls. Frasier came in and sat with his father, and they shared a bonding moment in which little was said out loud — but there was a lot of non–verbal communication.

Sometimes it isn't easy for fathers and sons to communicate, and some fathers and sons are better at it than others. Frasier and Martin had their uneasy moments during the series' 11–year run, but there were times when they offered a simple example for how fathers and sons should communicate when words aren't enough.

Friday, November 30, 2012

A Slice-of-Life Movie



When I was growing up, Neil Simon was probably the biggest name in the playwrights' world universe.

I admired many writers as a young man. Most were writers of nonfiction, but among the fiction writers, Simon was in a league by himself. Even those who did not read much — and there were (and are) many of those — Simon was known for his many works that were brought to the big and small screens.

Like anyone, Simon has missed the target on occasion — but he's had more hits than misses. He may have been hitting his stride 35 years ago today when "The Goodbye Girl," made its theatrical debut.

The title was an example, I think, of what made Simon so popular. His characters always seemed to have occupations that were exotic — when compared to most humdrum, routine jobs — and sometimes it seemed that the common man could have very little in common with them.

But those characters weren't seen as distant because they were always facing very human predicaments, things to which anyone could relate. They were multi–dimensional.

In "The Goodbye Girl," Marsha Mason played a former Broadway dancer who became known as the Goodbye Girl because of all her failed relationships. The story found her living in the apartment of her latest ex (who had skipped out) with her precocious 10–year–old daughter, Lucy (Quinn Cummings).

Younger viewers may only know Mason as Martin Crane's love interest on Frasier in the late '90s. Similarly, they may only know Dreyfuss as Mr. Holland. And they probably don't know Cummings at all.

But, in "The Goodbye Girl," they played people with whom audiences could sympathize. Dreyfuss played his role so well he was rewarded with an Oscar for Best Actor.

Mason, Cummings and Simon were all nominated for Oscars, and the movie was nominated for Best Picture, but only Dreyfuss won.

And it really wasn't hard to understand why. Dreyfuss had been showing up on TV and in movies for about a decade, but he had rarely been the featured star (exceptions had been 1975's "Jaws," 1977's "Close Encounters of the Third Kind" and a few others).

Cummings, of course, was a bit of a newcomer. If she had won for Best Supporting Actress, she would have been in exclusive company — a few years older than Tatum O–Neal was when she won the Oscar for "Paper Moon," and she was a couple of years older than Anna Paquin was when she won Best Supporting Actress for "The Piano."

But all that is irrelevant because, of course, Cummings did not win. I suppose there is an argument to be made that, if Cummings had won the Oscar, she might have become more of a presence in movies than she became. Most Oscar winners do.

But, as I say, Cummings did not win, and she hasn't appeared in a movie in more than 20 years.

Dreyfuss, who did win, has appeared in many movies since then, and he has become a familiar face to moviegoers in the process.

It wasn't just the acting that drew me to this movie, however. As is true with most of the movies that I really like, a lot of its appeal is in its witty dialogue. We can thank Simon for that. He put some great lines in the characters' mouths.

For example, early in the movie, when Mason and Dreyfuss are still testy with each other, Dreyfuss's character says, "I love listening to you talk. I hate living with you, but your conversation is first rate."

Dreyfuss had the most immediately memorable lines — or perhaps he made them memorable with the quality of his acting — but I discovered, upon reflection, that many of Mason's lines had a staying power of their own.

For instance ...

When Mason's character tells her daughter to be tactful in her interaction with Dreyfuss.

"What's that?" Lucy asked.

Without batting an eye, Mason replied, "Lie!"

Or when Dreyfuss — in what could only be charitably referred to as his first negotiation with Mason — suggested that she was a "sharp New York girl."

"No a dull Cincinnati kid," Mason replied, "but you get dumped on enough and you start to develop an edge."

"The Goodbye Girl" was a real slice of life.