Showing posts with label Gavin MacLeod. Show all posts
Showing posts with label Gavin MacLeod. Show all posts

Sunday, March 19, 2017

A Special Night



"I just wanted you to know that sometimes I get concerned about being a career woman. I get to thinking my job is too important to me, and I tell myself that the people I work with are just the people I work with and not my family. And last night, I thought, 'What is a family, anyway?' They're just people who make you feel less alone and really loved. And that's what you've done for me. Thank you for being my family."

Mary Tyler Moore

I think I will always regret the fact that Mary Tyler Moore did not live a few more months.

I had nothing to do with her death, of course. I have no more power over life and death than any other human being, and I completely understand that we all will die someday so I do not lament the fact that she is dead. She was 80 years old, after all.

But I do wish she could have lived until today — the 40th anniversary of the final episode of the Mary Tyler Moore Show, which is still one of the best television programs of all time. It just doesn't seem right that she missed this milestone.

The episode was called, appropriately, "The Last Show." That isn't quite as flippant as it sounds. Yes, it was the last episode of the Mary Tyler Moore Show — but it was about the last news broadcast at fictional TV station WJM with the familiar crew of Mary, Murray (Gavin MacLeod), Ted (Ted Knight), Sue Ann (Betty White) and Mr. Grant (Ed Asner).

Well, one person would remain at WJM.

The story line was that there was a new station manager (Vincent Gardenia) who wanted to make some dramatic changes. He came to speak to Lou (Ed Asner) to get some input on where to make cuts in the newsroom, and Lou suggested that he should watch the evening news and judge for himself.

Ted (Ted Knight) was certain that this would be the end for him so he began doing everything he could to ingratiate himself to the new boss.

And, apparently, it worked, because the station manager decided to let everyone go — except Ted. For long–time viewers of the show, I guess that was really the only way it could have gone. It made it seem more final — if such a thing is possible.

I guess the last half of the episode was mostly a sentimental journey for the cast and the show's fans. Mary was depressed by the turn of events, and Mr. Grant, in an attempt to raise her spirits, arranged for her old friends Rhoda (Valerie Harper) and Phyllis (Cloris Leachman) to return to Minneapolis for a visit.

Back in the newsroom the inevitable time for goodbyes arrived following the final newscast. That led to a group hug and an oft–imitated exit with the cast marching out of the newsroom singing "It's a Long Way to Tipperary" and Mary peeking back in the newsroom one last time.

The story itself wasn't especially memorable — even though it did reunite Mary with two of the series' early regulars who left the show before Sue Ann and Georgette (Georgia Engel) joined it; thus the final episode was the only time all of the primary characters in the series — the ones I have already mentioned along with news writer Murray Slaughter (Gavin MacLeod) — appeared in the same episode together.

And when all eight came out and took a curtain call after the episode ended, that was a first as well.

Actually, I don't believe the show's cast ever did a curtain call before — so that was a one–time–only event.

And I am quite sure they never appeared on the same stage at the same time either before or after the night the episode was taped.

It was a special night all the way around.

Sunday, March 12, 2017

Who Cares What Others May Think?



Mary (Mary Tyler Moore): I didn't think I was asking for that much, but I haven't met anyone who even comes close. Someone who doesn't care how I look because he's more concerned with who I am. Somebody strong and intelligent who respects me, who I can respect, who has gentleness in him. I guess there just aren't any men like that.

Georgette (Georgia Engel): Sure there are. You know one.

Mary: Well, if I do, I sure wish you'd point him out.

Georgette: Lou Grant.

Mary: Come on!

Georgette: He has every quality you said you wanted, and I'll throw in one of my own — he's cute as a button!

With any other sitcom, I would say that the subject matter of the episode that premiered 40 years ago tonight was the introduction of a new plot twist, which is a common strategy to spice up a once–popular series that is rapidly declining in the ratings.

And with any other sitcom, I would probably be right.

But I am speaking of the episode of the Mary Tyler Moore Show that premiered on this night in 1977 — exactly one week before the series took its final bow. And it was still popular. The decision to leave 'em while they still wanted more was made by the cast and creators, not by the network.

If you could have polled the show's fans 40 years ago, I'm certain that just about all of them would have voted to keep the show on the air. But if it had remained on the air, it is doubtful that the episode that first aired on this night in 1977 never would have aired at all. It would have marked a significant shift in the direction of the show; it was probably best to leave it

In the episode "Lou Dates Mary," a date that ended badly prompted Mary (Mary Tyler Moore) to reflect on a lifetime of dating (2,000 dates by her calculation) and conclude that maybe there wasn't a "Mr. Right" in the cards for her.

She was telling this to Georgette (Georgia Engel) who suggested that Mary should date Lou Grant (Ed Asner). Initially, Mary scoffed at the suggestion, but it gradually dawned on her that Georgette might be right so she went into Lou's office and, even though her upbringing made it difficult for her to ask a man out, she did so, anyway.

When she did, Lou's response was probably what mine would be if a much younger female colleague came to me and told me she wanted to date me. He laughed. It was preposterous.

But Mary was serious, and, after some deliberation, Lou accepted. They agreed to have dinner at Mary's place that night.

As the appointed hour drew near, though, Lou was vacillating. He and Murray (Gavin MacLeod) had drinks after the evening news was finished. They were going to talk, but Murray had no idea what they were going to talk about.

(Now, as a journalist, I have to point out something here. Perhaps I am nitpicking and, granted, my experience in journalism has been on the print side so take this with as many grains of salt as you require. We lived by deadlines. I presume that people in broadcasting live by deadlines as well, but their deadlines involve broadcast schedules.

(In every city in which I lived, the local TV stations had early and late newscasts. They were always live. The late newscast was never a tape of the broadcast from four hours earlier. Too much can — and does — happen in that span of time, and someone, usually several someones, must be there in case the weather turns bad or a jury reaches a verdict in a high–profile trial — or, as was the case here in Dallas last summer, some police officers get shot during a protest. Presumably the folks at WJM had a late newscast, too, but they were always socializing after their newscast — presumably the one at 6 p.m. — was over. If there was a later newscast, it must have been manned by other people.

(I've worked for newspapers that had multiple deadlines, but social lives were put on hold until after the final deadlines. I have long wondered how many people were moved to become journalists after watching the Mary Tyler Moore Show, believing it would be a regular 9–to–5 job that paid well enough for them to dine at fancy restaurants and have drinks in ritzy clubs in their off hours. Boy, were they in for a rude awakening!)

Anyway, Lou confided in Murray, who was stunned at first but ended up reassuring Lou that it wasn't such a ridiculous idea, and Lou proceeded to Mary's apartment.

Lou didn't want to show up empty–handed so he brought flowers. But he couldn't remember Mary's favorite flower so he brought three bouquets — along with a bottle of wine, some chocolates and a can of mixed nuts.

Ladies, when was the last time a gentleman caller brought you three bouquets, a bottle of wine, a box of chocolates and a can of mixed nuts?

Even though Mary and Lou had known each other for seven years, this was a new situation, and there was the usual awkwardness of a first date.

"It's funny," Mary observed at one point, "the two of us who have known each other as long as we have suddenly ill at ease, in suspense ..."

"In suspense about what?" Lou asked.

"You know," Mary replied, "about what's going to happen. Both of us wondering whether you're gonna, you know, kiss me." Then she turned away from him in that kind of shy schoolgirl way young girls have of covering how much more worldly they are than they appear.

The evening was suspenseful for both of them. Mary ruled out shop talk, then they found it hard to make the kind of small talk one is apt to make on a first date. Finally, they decided they had to kiss before they could feel comfortable enough to decide where this relationship would lead.

And they both started to giggle in the middle of their kiss.

"That was really silly kissing you," Lou said with a grin.

"That turned out to be just so dumb!" Mary replied.

They both concluded that it wasn't going to work.

So they said "Good night" — to the date, that is — then sat down to finish their dinner — and talk shop.

It probably is true that the best romantic relationships start as friendships. But after a certain amount of time, as Lou and Mary learned on this night in 1977, good friends should probably just remain good friends.

Sunday, January 08, 2017

Be Careful What You Wish For



Karl (Eric Braeden): What you're watching at this very moment is a classic example of what's wrong with television in this town. It is the pursuit of personality at the expense of competence.

Ted (Ted Knight): I'm not sure I understand.

Karl: I'm sure you don't.

The episode of the Mary Tyler Moore Show that first aired on this night 40 years ago, "The Critic," began innocuously enough — Mr. Grant (Ed Asner) was trying to put together a softball team to play WJM's crosstown rival.

But Mr. Grant and the rest of the staff had to leave the newsroom to attend the station manager's reception for Professor Karl Heller (Eric Braeden), a well–known critic who was going to be teaching some classes at the University of Minnesota. He also happened to be a friend of the station manager (David Ogden Stiers, in a pre–M*A*S*H recurring role), who had decided to hire him as an on–air critic at WJM one night a week.

The station manager said the news had become stale and predictable; he wanted controversy because controversy builds ratings.

As the staffers tried to make conversations with him, mentioning plays and movies that they had liked, it dawned on them that the professor was negative about everything.

Murray (Gavin MacLeod), for example, told the professor that he loved watching movies on TV. "That's where they belong," the professor replied.

"Come on, you must like some movies," Murray said.

"Well, at best, which it seldom is," the professor conceded, "a film can be powerful. There was one absolutely first–rate Ukrainian film at the last festival. It was called 'Blood On A Dog's Face.' It was about deformity. But somehow the subtitles missed all the whimsy."

When he left the professor, Murray walked over to Mr. Grant. "You want to know something?" Murray asked. "That guy's a pain in the neck."

"I have an even lower opinion of him," Mr. Grant replied.

In his first appearance on WJM, the professor pledged to spend the coming weeks evaluating the people of Minneapolis and trying to determine "why no first–rate art has ever been created in this vacant — but intellectually famished — arid and sterile city."

If the station manager wanted controversy, he got it. "That is the cruelest man I have ever seen," the perpetually amorous Sue Ann (Betty White) told her colleagues in the newsroom. "I think I am in love!"

The professor's commentary about Minneapolis had the phones ringing off their hooks. And it persuaded the station manager that one night a week wasn't enough. He wanted the critic to be on the air every night.

Things cut a little too close to the bone, though, when the professor turned his spotlight on WJM.

And he got told off by, of all people, normally timid Mary.

After she finished, Mr. Grant and Murray were about to throw some punches at the professor when he pointed out that they would not do so because he had stated an honest opinion, and people in the news business don't attack people for that.

Sue Ann came in carrying a pie. She was angry about what the professor had said about her show in his critique, but he used the same rationale to mollify her. "You're sensible, rational people," he said, "and sensible, rational people do not throw either pies or punches at someone's face for simply stating an honest opinion. Only a fool would vent his frustration in those ways."

At that moment, Ted walked into the newsroom and pushed Sue Ann's hand that was holding the pie into the professor's face.

It was unanimous.

Sunday, January 10, 2016

Never Assume



Things aren't always what they seem to be — or don't seem to be. I don't know about you, but I learned that the hard way — and, on this night 40 years ago, so did Mary Tyler Moore. Well, I guess she did. That point was uncertain when the episode ended. But the audience sure did learn it.

In the episode of the Mary Tyler Moore Show that premiered on this night in 1976, Mary and Mr. Grant (Ed Asner) were going to a seminar in Washington, D.C., that was devoted to politics and the press.

It was going to be like a homecoming for Mr. Grant. He had covered Washington for the Detroit Free Press in his younger days, and he boasted to Mary about the connections he had made; they were the kind of people, he told her, who would show her the Washington that tourists seldom, if ever, saw.

But first Lou had to deal with Ted (Ted Knight) who reminded Lou that he had promised Ted could go on the next free trip that came up. Ted rationalized the decision out loud, suggesting that Mr. Grant had opted to leave Ted in charge of the newsroom because he needed a steady hand at the wheel. Mr. Grant went along with that, apparently figuring it was the easiest way to get Ted off his back. But it was not smooth sailing. Ted insisted that Mr. Grant tell Murray (Gavin MacLeod) that Ted would be in charge while he was away.

Murray didn't take that news well and refused to wish Mary and Lou a good trip when they departed.

Once they arrived in Washington, Lou put out some feelers and waited for the calls from his connections. Mary wanted to go to a restaurant for dinner, but Lou assured her that there were probably five really good parties in progress in D.C. that evening. He said they should wait at the hotel for some calls to come in.

"I've never been to Washington before," Mary protested. "It's my first night in the capitol. I want to see some of it."

Lou told her she shouldn't worry. She was going to see the whole city. At that moment, the phone rang. Lou was sure it was one of his connections, but it turned out to be for Mary. It was someone she had met earlier who invited her to a party at the French embassy.

But Lou nixed the embassy party. "We're gonna do a lot better than that," he assured Mary. So Mary turned it down.

A minute later, the phone rang again — but, once again, it was for Mary.

"What did you do, write your number on a wall?" Lou asked testily.

Actually, it was a congressman Mary had met earlier at the seminar, and Lou tried to get reservations for the two of them to have dinner at the best place in town. But it turned out that his connection there, the head waiter, had died 10 years earlier.

"I guess he died without mentioning how close we were," Lou told the person on the other end of the line.

The congressman called up and got a reservation there with no trouble, and he and Mary left Lou in his hotel room.

The next day, Mary and Lou compared notes on their evenings. Lou, as it turned out, hadn't talked to anyone after Mary left. He dozed off and thus may have missed calls — if any came in. But he was determined to wait it out again that night. "Sometimes you have to wait around like that if you want a really good time," he told Mary.

He insisted that he wasn't losing his faith in his buddies, but Mary was, and she went out on the town again that night, leaving Lou alone in his hotel room.

When she got back to the hotel later, she went to Lou's room and told him she was sorry he hadn't joined them. They had gone to a party in Georgetown where she met the assistant secretary of Defense.

Lou said he was sorry that Mary hadn't stayed with him that evening. A couple of old friends came by, he said.

Mary was pleased to hear that. She said she was sure he had had a wonderful time seeing old friends again, and Lou said he did.

"John Glenn told the funniest story," Lou said.

"John Glenn the astronaut?" Mary asked. Lou said yes.

"John Glenn is an old friend of yours?" Mary asked.

"No, I never met him before," Lou replied. "He came with Hubert."

"Hubert?" Mary asked.

"Humphrey," Lou replied. "Anyway, it was the funniest story. I thought Eric Sevareid was gonna bust a gut!"

The conversation went on like that. Sevareid wasn't able to stay long, he said, because he was giving Ethel Kennedy a lift. "How did she get home?" Mary asked.

"The Fords gave her a ride," Lou said, referring to then–President and Mrs. Ford. It certainly would have made sense that Lou, as an employee of the Detroit newspaper, would have had dealings with Michigan Congressman Gerald Ford in the years before he became Richard Nixon's vice president and, eventually, his successor. Ford, after all, represented his district in Michigan for a quarter of a century. Nevertheless, Mary made a face.

Lou leaned forward. "Mary," he said, "you don't believe the president was here tonight, do you?"

"Well, of course, I believe the president was here," Mary replied. "Was Lincoln here, too?"

It was at that moment that the phone rang. On the other end of the line was Betty Ford, the first lady. She was looking for the president's pipe. It was his favorite pipe, and he thought it might have fallen from his pocket. Mary looked and found it under a sofa cushion. She held it out and said, in a mocking tone, "What do you know? The president's pipe."

Mrs. Ford asked Lou if she could speak to Mary so he handed her the phone.

"Hello, Mary?" and the screen showed the first lady speaking on the phone, presumably from the White House. "This is Betty Ford."

"Hello, Betty," the still disbelieving Mary replied. "This is Mary ... Queen of Scots."

A couple of interesting trivia points:

First, I have heard that the people behind the Mary Tyler Moore Show wanted President Ford to make the cameo appearance. But it was the start of an election year, and President Ford was seeking the Republican nomination. It was decided that an appearance on the Mary Tyler Moore Show, which ranked #19 at the end of the 1975–76 season, might be considered an advertisement for — if not an endorsement of — his re–election. So Mrs. Ford was selected instead.

Second, Mary Tyler Moore wrote in her autobiography that Betty Ford was drunk when she filmed her scene. I don't know if that was true. I have seen that episode a number of times, and I can't tell if she is drunk in it — but I do know that a few years later she went through recovery and established the Betty Ford Center in Rancho Mirage, Calif., for the treatment of chemical dependency.

Sunday, November 08, 2015

The Day Ted and Georgette Got Married



Mary (Mary Tyler Moore): You do love him?

Georgette (Georgia Engel): Of course, Mary. Somebody has to!

The Mary Tyler Moore Show was consistently good for seven years, then voluntarily bowed out while the ratings were still high. In other words, they left 'em begging for more.

The episode that aired 40 years ago tonight has always been one of my favorites. It was sitcom script writing at its finest performed flawlessly by a top–notch cast. Ahhhh, they just don't write 'em — or perform 'em — like that anymore. More's the pity.

The episode that made its debut on this night in 1975 centered on something that we've all experienced — a wedding. Even if you have never been married, you have probably participated in one or, at least, attended one. Maybe more than one.

And, centered around this universal theme, the story gave perfect capsule glimpses into the hearts and souls of the characters in the series.

Yet, true to tradition, this wedding was about the bride, Georgette (Georgia Engel). She was the girlfriend of Ted Baxter (Ted Knight) and a recent addition to the ensemble. The viewing audience hadn't had much of a chance to get to know her yet, but that would change. Yes, this wedding, like all the others, was about the bride. Strangely, though, the title of the episode was "Ted's Wedding."

Let me share samples of the dialogue with you.

The episode opened with Georgette and Ted having Saturday brunch at Mary's apartment. Mary was trying to be sensitive to Georgette's concerns that everyone in the newsroom treated Ted with disdain, but Ted really hadn't been helping his own cause, even with Georgette. For months, he had been proposing to her, she had accepted, then he found a way to get out of it and she allowed him to do so. This had happened so often that Ted was treated like the fabled boy who cried wolf. No one, least of all Georgette, took his proposals seriously.

Anyway, Mary was making an effort to include Ted in more things, and her way to get the ball rolling was to invite Ted and Georgette to brunch at her apartment. She also tried to include Mr. Grant (Ed Asner), explaining to him that this kind of thing would make Ted a better anchorman — instead of being preconditioned to be oafish and vain by the negative perceptions of his peers.

Adopting a professorial demeanor, Mr. Grant told Mary that she was speaking of the "self–fulfilling prophecy," in which a person's behavior is governed by the assumptions of others. People expect a certain kind of behavior from someone, be it good or bad, and that is precisely what they get.

Mary was fascinated to learn that there was an entire theory devoted to what she had been thinking. She was also gratified that Mr. Grant understood what she was talking about, and that knowledge emboldened her.

She said she wanted Mr. Grant to join them for brunch, and, in one of the most delightful exchanges I believe I have ever seen, Mr. Grant wiggled out of it by asking Mary what her assumption had been about his response. She conceded that she had assumed that he would say no.

"Well, there you are!" Mr. Grant exclaimed with a triumphant grin on his face. "Personally, I'd have loved to have come. I probably would have had the time of my life. But your previous assumption made it impossible for me to come. You do see that, don't you, Mary?"

And so it was that Mary found herself having brunch alone with Ted and Georgette. Mary complimented Georgette on her dress, and Ted was inspired to propose — again — this time with an onion roll in his mouth.

But this proposal was met with a frosty resistance from Georgette, who asked Mary if she and Ted could have a few minutes of privacy. Mary went into her bedroom.

Georgette told Ted she had doubts that he had ever been serious about marrying her. "If you really wanted to marry me," she said, "you wouldn't talk about it. You'd do it."

Ted protested that he'd get married that day if he could.

"We can, Ted," Georgette countered. "We've had the blood test. We have the license, and it's still valid. We can call and get a minister over here. We can call our friends and tell them to come over here. What else do we need?"

Then mousy Georgette, usually so soft–spoken you couldn't hear her if she was shouting into a megaphone, delivered her character's best line ever. With her hands on her hips, she said, "So whaddya say, buster? Ya still wanna get married?"

Ted was just as assertive in his reply. "Yes, I do."

Then came The Shriek. I know you've heard The Shriek. You may even have emitted a Shriek — but only if you're a female. It seems to be a biological characteristic that only females possess.

The Shriek brought Mary running into the living room. "What would you do if I told you there's going to be a minister over here with all our friends in the next half hour to have a wedding?" Georgette asked her.

Mary's reply: "Vacuum!"

Getting the wedding together in half an hour was a bit more problematic.

Mary called Mr. Grant and had to talk him into coming over instead of watching a basketball game. Besides, she said, if everything was done quickly, he could get to the bar before the game was over.

Murray (Gavin MacLeod) had to be dragged away from his son's football game — he was the coach.

The minister was playing tennis, but Georgette said his wife had assured her she would try to get in touch with him. Georgette didn't tell the minister's wife why he was needed. She only said it was an emergency.

"I wasn't sure he'd interrupt a tennis game for a wedding," she told Mary.

Ted tried to get his mother to come over, but she declined. After hanging up, Ted explained that she had to wash her hair. "But we can save her a piece of cake," Ted said. "We do have a piece of cake, don't we, Mary?"

"The whole wedding was put together in half an hour," Mary replied as the doorbell rang and she went to answer it. "You can't expect too much preparation on that kind of notice."

Enter Sue Ann (Betty White), the Happy Homemaker, radiant in wedding attire and carrying flowers for the ceremony, champagne and rice for after the ceremony and a veil for Georgette to wear — as well as a gift for the "happy couple." Sue Ann was always the bridesmaid, never the bride, and she was always ready for the occasion. And she wouldn't tolerate slackers. "What are you all standing around with your thumbs up your noses for?" she demanded. "We've got to get this show on the road!"

Part of getting that show on the road was settling on a best man, and Mr. Grant wound up with the honor.

Turned out his primary responsibility as best man was to reassure Ted that he was doing the right thing.

"If you're going to get married," Mr. Grant told Ted, "you're going to have to stop acting the way you do."

"What way?" Ted asked.

"The way you act," Mr. Grant said somewhat evasively. But he could see he wasn't getting through so he tried a different approach.

"Ted, what I'm trying to say is, you gotta become different."

Ted still didn't understand.

"Look," an increasingly exasperated Mr. Grant said, "you know how you always are?"

Ted said, "Yeah."

"Don't be that way," Mr. Grant told Ted.

The minister was played by John Ritter, and he arrived dressed in his tennis clothes and carrying a tennis racquet. He was newly ordained and unprepared to conduct a wedding ceremony, but Georgette suggested that they should each say something instead of repeating vows. Ted, as an anchorman, was accustomed to having Murray write the words he would deliver so he had Murray come over next to him and whisper in his ear what he should say. It came out like this:

"Georgette, I promise ... to be a devoted husband ... and to never give you cause ... to regret ... having married ... such a cluck!"

Anyway, when the wedding was over and everyone had left, Mary, Ted and Georgette looked at each other.

"Well," Mary said.

"Well," Georgette said.

"Well," Ted said. "What's for dessert?"

Sunday, February 09, 2014

When Ted Baxter Met Walter Cronkite



Mary (Mary Tyler Moore): [meeting Walter Cronkite] So nice to meet you. Really. Nice. Nice. Really.

Murray (Gavin MacLeod): [meeting Walter Cronkite] So nice to meet you. Really. Nice. Really.

It probably isn't most people's favorite Mary Tyler Moore Show episode.

Most people would probably say the "Chuckles Bites the Dust" episode is their favorite — and that would be hard to dispute.

And I do like that one.

But I also like the one that aired 40 years ago tonight, "Ted Baxter Meets Walter Cronkite."

When I was a kid, Cronkite was trusted by just about everyone — so much so that some people actually called him "Uncle Walter"

I don't remember how the writers for the Mary Tyler Moore Show established that Ted Baxter (Ted Knight) was an admirer of Cronkite. Maybe it was never really established — except for the presumption that viewers knew that the Mary Tyler Moore Show and Cronkite's evening news program were on the same network — CBS.

But Ted definitely was an admirer of Cronkite.

He also openly coveted a Teddy Award, the fictional (at least, I think it is) award for broadcasting excellence in the Minneapolis–St. Paul market, but he had never won one.

He had his acceptance speech all ready, and he launched into it on several occasions, often when he failed to win the award.

But this time he got to recite it for real — largely because he had campaigned for it. Uncharacteristically for Ted, he had invested a lot of money in it. I don't remember if the writers made him the only WJM staffer to win an award that night or not. I just remember that Ted won a Teddy, and the others resented the way he had won it.

The fact that Ted won a Teddy was enough to irritate his co–workers even if one or more also won a Teddy — but then came the coup de grâce — Cronkite was in town to see Lou (Ed Asner) and he happened to come by the TV station.

Lou had no choice but to introduce them. After introducing Cronkite to Mary and Murray, neither of whom distinguished themselves in the presence of such an important journalist, Lou introduced the legendary newsman to Ted — who had the idea that, somehow, Cronkite's visit was an unannounced audition for him. If he did well enough, Ted reasoned, he would be invited to be Cronkite's partner on the evening news.

So Ted took over, putting his arm around Cronkite's shoulder and delivering one of my all–time favorite lines: "Well, Walt, let's talk shop. Which words do you have trouble pronouncing?"

As they walked out the door of the newsroom, Ted was reciting that evening's newscast to Cronkite, who glanced back at Lou and said, "I'm going to get you for this."