Showing posts with label Leslie Nielsen. Show all posts
Showing posts with label Leslie Nielsen. Show all posts

Thursday, July 02, 2015

'Airplane!' Is 35? Surely You Can't Be Serious



"Ladies and gentleman, this is your stewardess speaking. We regret any inconvenience the sudden cabin movement might have caused. This is due to periodic air pockets we encountered. There's no reason to become alarmed, and we hope you enjoy the rest of your flight. By the way, is there anyone on board who knows how to fly a plane?"

Elaine (Julie Hagerty)

"Airplane!" has always been something of a guilty pleasure. For me, anyway.

Even in the far less politically correct climate of this day in 1980, when "Airplane!" was first shown on America's movie screens, much of its humor was of the National Lampoon, Saturday Night Live variety — irreverent. Mostly, though, it was silly, the kind of stuff you probably giggled at when you were in fourth grade.

Film critic Roger Ebert put it this way: "It is sophomoric, obvious, predictable, corny and quite often very funny. And the reason it's funny is frequently because it's sophomoric, predictable, corny, etc."

A good example: Robert Stack pulling off a pair of sunglasses, revealing another pair of sunglasses beneath it.

If "Airplane!" premiered today, it would probably draw the wrath of many groups who would claim to be offended by something — either on their own behalf or someone else's.

Even in the context of its 35–year–old form, it probably is not advisable to quote lines from it if you're in the company of people who belong to certain social, ethnic and/or religious groups. In fact, I am convinced that it would not be a success today. The times just aren't right for it.

The times were right for it, though, in the 1970s and 1980s — which, despite their many shortcomings, were good years for movies like "Airplane!" — and "Monty Python and the Holy Grail," "Blazing Saddles" and "Young Frankenstein."

"Airplane!" wasn't really discriminatory, though — at least, not in the traditional sense. It was an equal opportunity insulter.

The story was loosely based around Ted (Robert Hays) and Elaine (Julie Hagerty) and their rather dysfunctional relationship. Ted once flew planes in battle, but he suffered a traumatic experience and steadfastly refused to fly a plane again — until he was forced to do so by circumstances.

Ted (Robert Hays): Surely you can't be serious?

Dr. Rumack (Leslie Nielsen): I am serious. And don't call me Shirley.

One thing I have discovered with movies that I really find humorous, like "Airplane!" is that I find things that are new to me each time I watch them — and I can only conclude that I must have missed them the first time because I was laughing at the joke before it.

That would probably be my only complaint about "Airplane!" — there are places where its pacing could be much more beneficial to the overall script.

But I can say that about many comedies that I have enjoyed over the years. It often takes two or three viewings to get the full benefit from such a movie.

All my old favorite moments are still my favories — like the scene where the former June Cleaver (Barbara Billingsley) volunteered to translate the jive lingo of two black passengers for their white stewardess.

And I always laugh at the line that formed of people who wanted to calm an hysterical passenger. The first few people slapped her around; those standing in line had a crowbar, a lead pipe, a revolver ...

Randy (Lorna Patterson): Excuse me, sir, there's been a little problem in the cockpit …

Ted (Robert Hays): The cockpit … what is it?

Randy: It's the little room in the front of the plane where the pilots sit, but that's not important right now.

The last time I watched it, it occurred to me that "Airplane!" was written in the Mel Brooks style — not quite as clever as Neil Simon but easily capable of producing a belly laugh or two.

I will admit, though, that most of the movie's humor was related to things and people that would have been recognizable to audiences in 1980 — but not necessarily audiences in 2015.

There isn't much point in relating any more of the plot — such as it was — except that it is probably just as funny now as it was then for someone seeing it for the first time — even if that person isn't familiar with many of the references — although my guess is that, if you're seeing it for the first time and you don't know who June Cleaver was, you'd probably be wise to watch an episode or two of Leave It To Beaver before you watch "Airplane!" It probably wouldn't be a bad idea to watch the movie that is being parodied — 1970's "Airport." That's just my opinion, though.

Incidentally, "Airplane!" marked the debut — and probably the career high point — of actor David Leisure, who went on to star as Joe Isuzu in TV commercials in the late '80s and early '90s. He played one of the Hare Krishnas at the airport.

Friday, April 01, 2011

Science Fiction Comes of Age



It was 55 years ago that "Forbidden Planet" premiered on America's movie screens, and I suppose it's kind of a bittersweet time for fans of the sci–fi classic.

Anne Francis, who was in her mid–20s when the film was made, died three months ago at the age of 80. Her co–star, Leslie Nielsen, died about five weeks earlier. He was 84 — would've turned 85 in February.

By 1956, filmmaking in general had been maturing for decades, but some genres — science fiction, for example — were still in their infancies. Bruce Eder of AllMovie observes that science fiction didn't really begin to distinguish itself from "horror films and movie serials" until after World War II.

Nielsen and Francis helped the genre come of age.

A few years ago, the American Film Institute came out with its Top 10 lists of movies in 10 categories — and "Forbidden Planet" wasn't on the list of science fiction's best.

That wasn't terribly surprising. Only two of the films on the list (and I would argue that one of those films would be more properly designated as a "horror film," to borrow Eder's phrase) were made before "Forbidden Planet" — and the subsequent films on the list all came along more than a decade later, when the special effects were more advanced.

A sci–fi film's special effects are crucial, and the effects in "Forbidden Planet" often look cheap to modern eyes. Thus, it may come as something of a surprise to those modern viewers to know that most critics, Hal Erickson of AllMovie among them, think the special effects were state of the art.

And they were — for that time.

Beyond the special effects, though, the story was great — timeless, in fact — and the cast was top notch.

Ultimately, I guess, that is what "Forbidden Planet" proved on this day in 1956. Even though sci–fi flicks have always needed whatever special effects the then–current technology could provide, they will always need a good story to hold everything together.

And there was no question that "Forbidden Planet" had a great story. It was inspired by Shakespeare's "The Tempest." Consequently, it was really more of a romance than it was a story about space exploration.

It was a story about a lot of things, really. Obviously, it raised some eyebrows over the subplot's hints at Francis' relationship with her father (played by Walter Pidgeon).

But it also introduced a more humanlike robot — "Robby" — to the science fiction story. Robby has been the model for generations of mechanical companions that have followed (the robot from Lost in Space, the characters in the "Star Wars" movies, etc.); after "Forbidden Planet," robots were routinely members of the cast.

It has been observed that, before "Forbidden Planet," science fiction was a genre that mostly appealed to juveniles. After "Forbidden Planet," the genre came of age.