Showing posts with label mythology. Show all posts
Showing posts with label mythology. Show all posts

Friday, March 02, 2018

The Home Front at War



"The ending is only the beginning."

Ray Collins (Mr. Macauley)

Even when I first saw "The Human Comedy" as a child, I remember being struck by the many mythological references. My parents were educators so I got more exposure to that kind of thing when I was growing up than most of my contemporaries — even before I saw "The Human Comedy."

I didn't know all the myths, but I knew the references. I also didn't know that, while comedy in the modern sense refers to humor, the ancient Greeks knew comedy to be more dramatic, ironic in its nature — and that was how this story was told. It had its funny moments, but it was almost entirely a drama despite the apparently contradictory nature of its name.

The main character in "The Human Comedy" — which premiered 75 years ago today — was named Homer, which was also the name of the author of two epic books from ancient Greek literature, "Iliad" and "Odyssey." The story was set in the fictional town of Ithaca, California, which was based on the hometown of the author of "The Human Comedy," but the town's name was inspired by the books. Ithaca was also the name of the home of Odysseus, the hero of Homer's writing.

(There are some real Ithacas — most notably in New York — but the one in California was entirely fictional.)

Also, Homer's love interest in "The Human Comedy" was named Helen. In Greek mythology, Helen of Troy was said to be the most beautiful woman in the world — and the cause of the Trojan War. It was Helen's face that was said to have "launched a thousand ships."

Well, there is more, but I don't want to keep anyone from making those discoveries for themselves. Suffice to say there were many parallels between William Saroyan's novel and the stories from ancient Greece.

It would have been surprising if there weren't.

The book actually began as a screenplay that Saroyan wrote. Then Saroyan was fired from the film production and rushed to finish the book and get it published before the movie hit the theaters.

As I said, the story revolved around Homer (Mickey Rooney), a high school student who worked part time as a telegram delivery boy during World War II (his boss was played by Frank Morgan, who is remembered for playing Professor Marvel, the Wizard and the Gatekeeper in "The Wizard of Oz"). In that capacity, he often had to deliver news from the war to residents of the town. The narrator of the story was Homer's deceased father, played by Ray Collins.

The news was often sad — notices that people had been killed on the battlefields of Europe or in the Pacific — and it took its toll on Homer's sensitive soul.

"The Human Comedy" was a sentimental flick about the effects of war on the home front. In many ways, it was a precursor to The Waltons — if not in its setting, certainly in its affirmation of basic human values — worthy of Frank Capra.

Capra didn't direct it, though. Clarence Brown did — and he was nominated for the Best Director Oscar but didn't win.

The movie was nominated for Best Picture and Best Black–and–White Cinematography, and Rooney was nominated for Best Actor; all lost.

Saroyan won the Oscar for Best Original Motion Picture Story. How's that for irony?

Sunday, June 12, 2011

When the Titans Originally Clashed



Last year, a remake of 1981's "Clash of the Titans" was released.

Both movies were loosely based on the Greek myth of Perseus. The 2010 version had some advantages over the 1981 version — better technology, mostly. That helped with the special effects.

Both did well financially. The markets were different, of course, but the 1981 version was 11th in box–office receipts that year, and last year's version is in the Top 100 of all–time earners.

And, too, the cast in the 2010 version was pretty good. It included the likes of Liam Neeson, Ralph Fiennes, Elizabeth McGovern — all veteran performers.

But the acting in the first version may have been, if anything, better. After all, that cast included Maggie Smith, Laurence Olivier, Burgess Meredith, Claire Bloom and Ursula Andress. Talk about veterans.

And I believe, to this day, that the first one was more entertaining.

I don't remember when I saw it for the first time. It had long since left the theaters because I recall watching it on cable (a commercial channel at that) one summer weekend when I had nothing better to do.

It was a hot, lazy weekend — the kind of summer weekend when the mere thought of stepping outside into the heat starts sapping the energy — noticeably — from your body. I surfed frantically through the channels I got in those days, hoping to find something, anything, and I came across "Clash of the Titans."

And I recall sitting in front of my TV with a cold drink in one hand and a cigarette in the other (a classic juxtaposition of hot and cold, I guess) — and enjoying a thoroughly unexpectedly rollicking adventure.

It did help to know something about Greek mythology. For example, when the movie opened with a contingent of mortals boxing up a young woman and her baby and throwing them into the sea, some knowledge of mythology would have helped ordinary moviegoers — but perhaps not as much as you might think.

Like the 2010 remake, it was loosely based on Greek mythology. Oh, the characters were legitimate mythological characters, but they were never really identified for the viewers. It was as if the producers of the film took it for granted that viewers were well versed in Greek mythology — and I would guess that most were not.

And there were certain liberties taken with the story.

Those weren't the only problems. The animation, particularly when the sea monster Kraken was called upon to wreak havoc on land, resembled either Claymation or whatever was used to create Godzilla in the Japanese monster movies of the 1960s. Perhaps both.

Still, if one wasn't overly picky about such things, "Clash of the Titans" was an enjoyable movie experience.