Showing posts with label Joanne Woodward. Show all posts
Showing posts with label Joanne Woodward. Show all posts

Saturday, September 23, 2017

The Mystery of a Mind



I have long admired Joanne Woodward, and I remember the first time I saw "Sybil," the supposedly true story of a woman with more than a dozen personalities. Woodward played the psychiatrist who treated the woman in that made–for–TV movie.

At the time, I did not know Woodward had been in a similar movie some 20 years earlier in which she played the patient so "Sybil" was a role reversal for her. The movie in which Woodward was the patient was called "The Three Faces of Eve," and it premiered on this day in 1957.

There were many similarities between the stories. Given the subject matter, I suppose that was unavoidable.

By comparison Woodward had it easier in 1957 than Sally Field did 20 years later. Granted Woodward only had to portray three different personalities while Field had to do some 16, but I couldn't help feeling, when I saw "The Three Faces of Eve" that Field must have picked Woodward's brain or watched "The Three Faces of Eve" — or both — before she started work on "Sybil."

I saw "Sybil" first. When I saw "The Three Faces of Eve," much of what I saw Woodward do was what I had seen Field do.

But Woodward did it first — and won an Oscar for Best Actress in the process. So, arguably, one could say Woodward did it better — although Field did win an Emmy.

Lee J. Cobb played the role that Woodward eventually played in "Sybil." He was the doctor who treated her, who diagnosed her condition.

Although it was not her real name, the patient was known as Eve White, a timid and reserved individual who suffered from excruciating headaches and occasional blackouts. Her behavior became so erratic that her husband (David Wayne) brought her in for treatment. While speaking with Cobb, a second personality emerged, one whose personality was the opposite of Eve White's — so she was given the name of Eve Black.

Eve Black knew all there was to know about Eve White, but Eve White was oblivious to Eve Black's existence.

After Eve White had been sent to a hospital for observation and released, Eve Black attempted to kill Eve White's daughter, and her husband decided he had had enough. He left his wife and took their daughter to live with relatives.

That, too, was similar to "Sybil." Brad Davis played Field's long–suffering boyfriend who started out being supportive but apparently concluded that he, too, could not live with that.

Cobb believed Eve White and Eve Black were incomplete personalities, that they had to be united to form a complete personality, and that was the conclusion that Woodward's character reached in "Sybil."

And it would be hard to imagine anyone who was more different from Eve White than Eve Black. Eve Black was constantly going out on the town, drinking, carousing in night clubs.

But while Eve Black seemingly knew everything about Eve White, there were gaps in her knowledge. A third character could resolve things, and it turned out this comparatively stable character was named Jane.

Jane knew how the personalities had split. It went back to when Eve was a little girl. Her grandmother had died when she was 6, and it was a family custom for everyone to kiss the deceased person at the viewing. This was supposed to make it easier for them to let go.

When Eve's mother (played by Nancy Kulp years before she was Miss Hathaway on the Beverly Hillbillies) took her in to kiss her dead grandmother, it so traumatized the child that the personality split occurred.

If you have never seen the movie before but when you do you think the voice of the narrator is familiar, you're probably right. The narrator was Alistair Cooke, a journalist and broadcaster by trade who achieved his greatest popularity in America as the host of television's Masterpiece Theater for more than 20 years.

Monday, February 09, 2015

Joanne Woodward Got One of the First Stars on Hollywood's Walk of Fame 55 Years Ago



Fifty–five years ago today, the official groundbreaking ceremony was held for the Hollywood Walk of Fame. The first star to be dedicated on the popular tourist destination belonged to Joanne Woodward, Academy Award winner for "The Three Faces of Eve."

Well, actually, that is what is said, but it isn't really true. Woodward was one of eight people who originally had stars on the Walk of Fame. The first star placed on the walk was for director Stanley Kramer. Nothing special should be read into that. It is my understanding that a block of more than 1,500 stars was designated, and Kramer's was merely the first to be created. Woodward was the first to pose with her star, though, which is located on Hollywood Boulevard.

Woodward's late husband, actor Paul Newman, is on the Walk of Fame, too.

It is my understanding that more than 2,500 stars are on the Walk of Fame now. Not all of them belong to movie stars, of course. Some are entertainers from TV, others from radio, still others from recorded music and/or the theater. Some, like Gene Autry, had multiple stars along the walk.

And there are special stars awarded to those who have distinguished themselves in other fields — for example, the crew of Apollo 11, the first mission to the moon, and boxer Muhammad Ali.

Former movie star Ronald Reagan is the only U.S. president on the Walk of Fame.

Tuesday, December 24, 2013

Discrimination of a Different Color



"Now, explain it to me like I'm a 4–year–old."

Denzel Washington

In what is being described as a crowded pre–Christmas weekend for movies, Tom Hanks (possibly the most bankable male star — certainly one of them — of his generation) and Emma Thompson apparently struggled at the box office with their new movie about Walt Disney and the making of "Mary Poppins."

My guess is that it won't be long before the Hanks name will come to the rescue of "Saving Mr. Banks." It's hard to remember a time when Hanks wasn't a huge box–office draw. He had been nominated for an Oscar (for "Big"), and he had been in some other successful movies ("Sleepless in Seattle," "A League of Their Own") by this time in 1993 (and he had had his share of flops, too) — but the bulk of his Best Actor nominations (and all of his victories) were still in the future.

On this day in 1993, Hanks' future arrived.

Before "Philadelphia" was released 20 years ago today, no big–screen movie had truly dealt with the many and complex issues — social and political as well as medical — surrounding AIDS.

There had been earlier movies about AIDS, but they mostly seemed to focus on the medical mystery that existed regarding the disease and how one might come down with it. "Philadelphia" took on the issues that anyone with a deadly — and mostly misunderstood — disease must face.

From the start, AIDS patients were shunned like polio sufferers once were. Gradually, their suffering was the subject of movies and TV shows, but there was still a great deal of misunderstanding about the disease, how it was spread, all that stuff, and there was virtually no knowledge of the issues that AIDS sufferers faced — in schools, in the workplace, in the community at large.

"Philadelphia" tried to tell the story of one fictional individual afflicted with AIDS who was dismissed from his workplace.

Joe Miller: The Federal Vocational Rehabilitation Act of 1973 prohibits discrimination against otherwise qualified handicapped persons who are able to perform the duties required by their employment. Although the ruling did not address the specific issue of HIV and AIDS discrimination ...

Andrew Beckett: Subsequent decisions have held that AIDS is protected as a handicap under law, not only because of the physical limitations it imposes, but because the prejudice surrounding AIDS exacts a social death which precedes the actual physical one.

Joe Miller: This is the essence of discrimination: formulating opinions about others not based on their individual merits, but rather on their membership in a group with the same characteristics.

Andrew Beckett (Hanks) was a young lawyer in Philadelphia who had just been promoted to partner of his prestigious law firm and had been given a case involving the firm's most important client. He was also gay and had contracted AIDS, but he kept both his sexuality and his medical condition secret from his employers.

Within two weeks of his promotion, the file for this case disappeared, then was mysteriously found at the last minute, and Beckett was dismissed, ostensibly for incompetence, but he believed he was fired because someone at the firm had discovered that he had AIDS, and he went about suing the firm for wrongful dismissal.

To represent him in court, he got Joe Miller (Denzel Washington), a personal–injury lawyer and unapologetic homophobe who at first declined to take the case but later agreed to do so for the money and exposure it offered. An interesting and ironic — and, in some ways, predictable — transformation took place. Miller began to realize that the discrimination that Beckett and others like him faced wasn't any different from the racial discrimination that Miller and others like him faced.

Discrimination is discrimination, whether it is based on race, religion, age or anything else.
Judge Garrett (Charles Napier): In this courtroom, Mr. Miller, justice is blind to matters of race, creed, color, religion and sexual orientation.

Joe Miller: With all due respect, your honor, we don't live in this courtroom, do we?

There were complaints from the gay community and elsewhere about some aspects of the movie. Some of the complaints focused on a perceived tendency to compromise on some harsh realities in order to appeal to a wider audience.

I'll give you an example of the kind of thing I mean.

I'm not gay, but I have friends who are, and some of them — in fact, many of them — have encountered the most resistance from those from whom support was expected — family and friends.

Hanks' character was fortunate in that he had a large, supportive family — "I didn't raise my kids to sit in the back of the bus," his mother (Joanne Woodward) told him — but many gay people have suffered the sting of the rejection of parents and siblings. Whatever the reason for it, that kind of rejection is painful, and I honestly felt that director Jonathan Demme kinda copped out on that one.

But Demme didn't entirely shy away from showing the pain of isolation brought on by the stigma of AIDS. It was most vividly illustrated when Hanks initially visited Miller, his one–time courtroom adversary, in search of legal representation and left rejected.

That scene was even more poignant when it was combined with Bruce Springsteen's haunting (and, eventually, Oscar–winning) song, "Streets of Philadelphia." I've never been the Springsteen fan that many of my peers are, but I have always admired that song.

Neil Young, another songwriter favored by those of my generation, shared the award with Springsteen.

Hanks received his second Best Actor nomination (and his first Oscar) for his performance in "Philadelphia."

Washington wasn't even recognized with a nomination from the Oscars. He had been nominated three times before — winning Best Supporting Actor for "Glory" — and, as of 2013, he has been nominated for Best Actor four times (winning in 2002 for "Training Day") — but he received no recognition for his work in "Philadelphia."

Neither, for that matter, was Jason Robards recognized for his work. Robards was one of my favorite actors, as is Mary Steenburgen (who played the law firm's legal representative in the suit), but neither was nominated by the Academy.

There were others who made memorable contributions for which I suppose it was a given that they would not be nominated for Oscars.

Possibly the most memorable was the performance of Ron Vawter as an associate at the firm. His character testified after Hanks' character collapsed in court and was taken to the hospital for what apparently was the last time.

Vawter's character said he didn't know that Hanks' character had AIDS, but he had suspected it. He was asked if he had ever mentioned his suspicions to Hanks. He replied that he had not, that he had not even given Hanks a chance to talk about his condition. "I think I'm going to regret that for as long as I live," he said.

There was irony in his words (even though they weren't his words but words he had been given by the script writer). Vawter was suffering from AIDS and died of a heart attack while flying from Zurich to New York less than four months after the debut of "Philadelphia." He was 45.

Tuesday, September 08, 2009

Newman and Woodward Together Again



It's been just about a year now since Paul Newman died. This Saturday, you can see one of the earliest movies in his career, 1958's "The Long, Hot Summer," on Turner Classic Movies at 7 p.m. (Central).

The film has special significance because one of his co–stars was Joanne Woodward, who became his wife that year. As nearly as I can tell, this was the first time the two appeared in a film together, but it was far from the last. Between 1958 and 1990, they were in nine more films together. Newman also directed four films in which Woodward starred but Newman did not appear.

Their collaboration (including the projects in which Newman was the director) produced more than three times as many movies as the partnership of Humphrey Bogart and Lauren Bacall. It was even more productive than the legendary alliance of Spencer Tracy and Katharine Hepburn.

That's pretty impressive. From what I've heard, more of a fuss was made about Newman's film partnership with Robert Redford than his partnership with his wife, but Newman and Redford only made two films together. "Butch Cassidy and the Sundance Kid" and "The Sting" were great movies, but they represented a fraction of the work Newman and Woodward did together.

Their marriage lasted 50 years — not a bad record for Hollywood. Of course, they weren't exactly a Hollywood couple. They lived in Connecticut.

Newman had this to say about his marriage: "I don't like to discuss my marriage, but I will tell you something which may sound corny but which happens to be true. I have steak at home. Why should I go out for hamburger?"

This Saturday, you will have the opportunity to see them together when it was all getting started.