Showing posts with label Loretta Swit. Show all posts
Showing posts with label Loretta Swit. Show all posts

Sunday, March 18, 2018

The Night MASH Almost Ended



"I'll stick with gin. Champagne is just ginger ale that knows somebody."

Hawkeye (Alan Alda)

We know that MASH was one of the most popular TV shows of all time. It lasted 11 seasons, and it was in the Top 10 — if not the Top 5 — most of the time.

But as it was nearing the end of its first season, the future was really in doubt. MASH ended the 1972–73 season ranked No. 46.

The episode that aired on this night in 1973, "Ceasefire," was written when the decision about a second season had not been made — so two scripts were written. If the show was canceled, the script in which the war ended would be used. If it was picked up for a second season, the script in which the ceasefire turned out to be a false alarm would be used.

It isn't necessary, I am sure, to say which one it was. MASH ran until 1983.

Anyway, on to the episode.

Gen. Clayton (Herb Voland) informed Henry (McLean Stevenson) that a ceasefire was imminent — but that was unofficial, he warned Henry.

Nevertheless, Henry couldn't keep news like that to himself, and before long the entire camp was celebrating. Radar (Gary Burghoff) went around the camp to get messages and signatures for a memory book. Klinger (Jamie Farr) proceeded to give away his dresses, figuring he wouldn't need them anymore, now that the war was coming to an end.

But Trapper (Wayne Rogers) didn't believe it. He said this kind of thing always happens in a war, and he bet Hawkeye $50 that the ceasefire would turn out to be a phony.

In the meantime, Hot Lips (Loretta Swit) was putting up a brave front, telling Frank (Larry Linville) that he was not to worry about her, that he was to go back to his old life and pick up where he left off. "I'm not going to make any trouble."

Hot Lips apparently wanted Frank to say something like he would leave his old life behind and stay with her. But he didn't do that. He told Hot Lips he wished she could meet his wife. "You'd like her," he said. That wasn't quite what she wanted to hear.

For the first time, Hawkeye acknowledged that he had a wife — but he did so for a different reason. He did so to avoid having to commit to all the women he had been with at MASH 4077. This caused considerable social difficulties for Hawkeye when word spread through the camp that he was married with five children.

That wasn't true, of course. Hawkeye was a bachelor. He just wanted to avoid complications. It worked beyond his wildest dreams.

While we're on the subject, this wasn't the final episode of the season for MASH, but it was the final appearance by Marcia Strassman. She was mostly considered Hawkeye's girl in that first season, but then she left the show and went on to become Mrs. Kotter on Welcome Back, Kotter a few years later.

Anyway, to celebrate the ceasefire, Gen. Clayton came to the 4077th, where a commemorative slide show was presented in Clayton's honor. It included shots of the general in his private moments — exiting the latrine and cuddling with Hot Lips.

Then the hammer came down. A communique was handed to the general informing him that the ceasefire was off.

Trapper had won his bet — and the show went on for another decade.

Sunday, February 18, 2018

Taking the Longjohn Way Home



Trapper (Wayne Rogers): Full house. Ha ha!

Radar (Gary Burghoff): I guess that beats two pair, right?

Trapper: It sure does! What were they?

Radar: Tens.

Trapper: Yeah? Tens and what?

Radar: That's it. Two pairs of tens.

As the viewers of the 2018 Winter Olympics have been reminded, the winters in Korea are notorious for their severity, and the folks at Quartermaster Corps were forever sending the wrong things to the 4077th.

By "wrong," of course, I mean inappropriate.

In the latest round of harsh winter weather, the 4077th received a shipment of mosquito netting and summer underwear — items that would be useful in about six months when the rugged Korean summer set in. What everyone needed — and only one person had in the episode of MASH that aired on this night in 1973, "The Longjohn Flap" — was long underwear.

Hawkeye (Alan Alda) was that solitary individual. He had received some longjohns from home.

But he was an old softie at heart, and he gave his long underwear to Trapper (Wayne Rogers) when Trapper started sneezing.

That was only the beginning. Before the episode was over the longjohns had made their way around the camp and had, seemingly, been in everyone's possession — however briefly — at one time or another.

Trapper, in an attempt to make back what he had lost in poker, bet the long underwear against Radar (Gary Burghoff) — and lost. Radar, in turn, used the longjohns to score some points with a pretty nurse but changed his mind and swapped the longjohns to the cook for a leg of lamb and mint jelly.

That was when Frank (Larry Linville) entered the picture. Frank was giving the cook a hard time about the cleanliness of his kitchen and threatened to bust him a rank. That was when the cook decided to bribe Frank with the longjohns.

Frank ended up giving the longjohns to Hot Lips (Loretta Swit) to prove his love for her (after he declined, once again, to divorce his wife), but Klinger (Jamie Farr) stole the longjohns from Hot Lips when she wasn't looking.

Overcome with guilt, Klinger confessed his sin to Father Mulcahy (William Christopher) and left the longjohns with him. The priest took them to Henry (McLean Stevenson), who promised to stay close to them until he had spoken to everyone in camp in an effort to find the rightful owner.

"Look, I'm planning on conducting a very thorough investigation," Henry said. "It might take a couple of months."

Henry never got a chance to conduct a tent–to–tent search, though. Hawkeye and Trapper had to rush him onto the operating table before his appendix burst. They were successful, which was reported to the camp by way of the P.A. system. The announcement drew mild applause. Then it was announced that the longjohns had been saved. By the raucous celebration, one would assume peace had just been declared.

In gratitude, Henry returned the longjohns to Hawkeye.

It was a format that would be revisited about a year later when Hawkeye, in need of a new pair of boots, struck deals with everyone in the compound. The house of cards ultimately collapsed, and Hawkeye wound up on the losing end in that episode.

But in the episode that aired tonight, he was the winner — even though Trapper started sneezing again.

Sunday, January 28, 2018

Life Isn't a Movie



"There are certain rules about a war, and Rule No. 1 is young men die. Rule No. 2 is doctors can't change Rule No. 1."

Henry (McLean Stevenson)

In its early years, MASH was primarily — but not exclusively — slapstick comedy.

By the time it ended its run in 1983, MASH enjoyed a reputation as a unique sitcom that routinely — and successfully — blended humor and drama — but even though those early episodes leaned heavily toward comedy, viewers got some glimpses of the future in the series' first season (1972–73).

One such glimpse occurred 45 years ago tonight when the episode "Sometimes You Hear the Bullet" first aired. For the first time — but not the last — viewers would see a patient at the 4077th die.

This patient was one of Hawkeye's friends.

Even before MASH introduced a heavy dose of drama to its episodes, the theme of the show was senseless death, and episodes like "Sometimes You Hear the Bullet" wove several related stories together to drive home that point.

While the episode maintained the series' satirical slant, it had a more somber tone than most of the episodes in that first season.

The story was primarily about Hawkeye's childhood friend Tommy (James Callahan), a writer by training and a former war correspondent who was writing a book about war from a soldier's perspective and dropped by the 4077th. The title of his book was to be "You Never Hear the Bullet," which was a rejection of all the scenes in war movies in which a soldier was fatally shot, and everyone heard the bullet. In reality, Tommy said, you don't hear the bullet.

Tommy was at the 4077th for a breather before resuming his work, and his reunion with Hawkeye (Alan Alda) told the viewers the friendship had existed for a long time. According to Hawkeye, it went back to grade school.

Earlier in the episode Frank (Larry Linville) had injured his back while with Hot Lips (Loretta Swit). Frank insisted that Henry (McLean Stevenson) should nominate him for a Purple Heart.

Frank, of course, did not mention the real circumstances surrounding his injury.

"According to your accident report," Henry said to Frank, "you tripped in the mud on the way to the shower."

When Frank confirmed that, Henry asked, "Is that the way you want it announced at the award ceremony? Tripped in the mud on the way to the shower?"

Hot Lips brought attention to a technicality. "This injury was sustained at a front–line unit," she said. "Technically that makes it battle connected."

"On that basis," Hawkeye said, "we'll be handing out medals for social diseases."

And then, after Tommy had come and gone, Ron Howard (in one of his TV appearances between his runs as Opie on the Andy Griffith Show and Richie on Happy Days) played a very young Marine whose appendix had burst and had been brought to the 4077th for treatment.

Initially, Hawkeye was willing to stay quiet when he learned that the young Marine was actually 15 years old and had used a fake ID to enlist — all to impress a girl.

Tommy unexpectedly returned to the 4077th with a mortal wound and died on the operating table, where he confessed that he heard the bullet. Hawkeye, all set to operate on his friend, told him he would change the title to "Sometimes You Hear the Bullet."

But he didn't live that long.

A grieving Hawkeye decided to spill the beans on Howard's character — motivated by the loss of his friend to prolong the boy's life.

Howard's character, in the defiance that is characteristic of youth, swore never to forgive Hawkeye for what he had done.

"Let's hope it's a long and healthy hate," Hawkeye replied.

Seldom have I been as impressed by TV writing.

Sunday, January 07, 2018

The Course of True Love ...



In the episode of MASH that first aired on this night in 1973, "Love Story," Radar (Gary Burghoff) was a real mess.

He couldn't eat — oh, he would fill his plate with food, but then he would mysteriously decide that he wasn't hungry. And he couldn't sleep. Well, not normally. One day Henry (McLean Stevenson) came into his office and found Radar on top of the file cabinet — in the fetal position.

That was strange, even for Radar.

The doctors at the 4077th decided to give Radar a complete physical in an attempt to find out what was wrong. But all the tests indicated that he was in good physical health.

So Hawkeye (Alan Alda) and Trapper (Wayne Rogers) sat him down and asked him to 'fess up.

"What's turning you into a fruitcake?" Trapper asked.

Wordlessly Radar handed a 45 RPM record to Trapper, who put it on the record player in the tent. It was a recording from Radar's girlfriend back home — a "Dear John" recording informing Radar that she had decided not to wait for him and was going to marry someone else.

When the recording was over, Trapper and Hawkeye turned to give Radar some supportive advice — only to find that he was sleeping in the fetal position on one of the cots.

Thus began an effort to find a new love interest for Radar, but Hawkeye and Trapper could find no takers among the ladies of the camp.

Then arrived a pretty lieutenant (Kelly Jean Peters) and Radar was infatuated.

Hawkeye volunteered to help the new arrival unpack so he could learn about her musical and literary preferences, and he reported back to Radar with bad news — she was a fan of the classics in both categories. She carried recordings of Bach, Tchaikovsky and Shostakovich with her as well as volumes of classical literature and poetry. Carrying on a conversation with her was going to be a challenge for someone like Radar, a naive farm boy who was probably more at home with a Spike Jones record and a Captain Marvel comic book.

But Hawkeye was ready with tips for Radar, and he coached him in diversionary responses.

If the lieutenant spoke about Tchaikovsky or Shostakovich, for example, Hawkeye said Radar should simply look bored. But if she mentioned Bach, Hawkeye recommended a nod, a knowing smile and an "Ahhh, Bach."

Either response was sure to cut short that discussion.

And, as a matter of fact, she did mention Bach when the four were having a meal in the mess tent. And Radar followed Hawkeye's advice.

But she threw him a curve. She asked him what that meant. He replied with something else Hawkeye told him to say — "That's highly significant."

You might say Radar jumped the conversational gun on that one.

"I haven't said anything yet," she replied.

"That's OK," Radar ad–libbed. "I have confidence in you, Lieutenant."

Somehow Radar managed to start a blossoming relationship that Hot Lips (Loretta Swit) and Frank (Larry Linville) were determined to nip in the bud.

The relationship was counter to regulations, and Frank and Hot Lips were sticklers for regulations — conveniently overlooking the fact that their romance wasn't exactly in line with regulations, either.

Part of Hot Lips' strategy included sending letters of complaint to the unit's commander, General Clayton.

Hawkeye and Trapper were just as determined to stop them and dipped into their extensive bag of tricks to do so.

Well, as Shakespeare wrote in "A Midsummer Night's Dream," the course of true love never did run smooth.

Sunday, December 17, 2017

What's New?



The glee club meets in the mess tent at 0800 hours. The first number on tonight's schedule is, uh, Father Mulcahy's solo, "I'm Confessin' That I Love You."

P.A. announcer

The episode of MASH that first aired on this night in 1972, "Dear Dad," was the series' first to use what became a rather familiar tactic on the show — telling a story in the form of a letter being written to someone back home.

The device would be used with other characters over the years, but in this case it was Hawkeye (Alan Alda) who was writing a letter to his father during the Christmas season. Other episodes utilizing the "Dear Dad" title would focus on Hawkeye's letters to his father, but letters home from Col. Potter, Radar, Klinger, etc., were also used in future episodes.

Thus the narration was in fact the text of the letter that Hawkeye was writing during a lull in the fighting.

The episode also helped to firmly establish the dual themes of the series — the antiwar theme and the comedic theme. "Dear Dad" was only the series' 12th episode, and MASH was still seeking its identity.

As I say the Christmas season had arrived, and Hawkeye used the letter to fill his father in on the news from MASH 4077th.

Radar (Gary Burghoff) was mailing a Jeep back to the States — one piece at a time.

Henry Blake (McLean Stevenson) delivered a sex lecture despite being clearly uncomfortable doing so.

And Hawkeye and Trapper John (Wayne Rogers) sabotaged the tent where Hot Lips (Loretta Swit) and Frank (Larry Linville) were to spend the evening together.

But all those things could have happened at any time of the year. They didn't have to be a week before Christmas.

What really made the episode a Christmas episode was the final segment, in which the 4077th was hosting its annual Christmas party for the local Korean children. Hawkeye was slated to play Santa Claus.

But his plans changed. He was called away to do emergency field surgery on a chest wound.

Still dressed as Santa, he descended by rope from a chopper as the battle raged around him.

A soldier waiting in a foxhole with the wounded man saw Hawkeye's descent and said to his buddy, "And you said there was no Santa Claus."

The concept of using a letter as the narration for an episode was a good idea and worked better in future efforts. It was a case of improving each time it was done.

But "Dear Dad" succeeded pretty well as a first effort — and it is still a pretty good Christmas episode.

Sunday, November 05, 2017

Losing Grasp of Reality



"I had a dream last night that I was asleep, and I dreamed it while I was awake!"

Hawkeye (Alan Alda)

In the episode of MASH that first aired on this night in 1972, "Bananas, Crackers and Nuts," the staff had just put in a brutal stretch of surgery — but the word was that the enemy had pulled back to regroup and no further action was expected for a week.

Immediately Hawkeye (Alan Alda) and Trapper John (Wayne Rogers) lobbied for some R&R, but Henry (McLean Stevenson) was leaving the camp for awhile, which left Frank (Larry Linville) in command. And Hawkeye and Trapper knew Frank wouldn't approve a leave for them.

So they came up with a scheme to try to persuade Frank that Hawkeye was losing his grip on reality and would need time off in Tokyo. In their plan, Trapper would accompany him because Trapper was "the only one that can handle him." It seemed like a foolproof plan.

They staged a scene in the mess tent in which Hawkeye, dressed in surgical garb, came in with a plate of freshly cooked liver and sat down within arm's reach of a bottle of ketchup. In his conversation with Frank and Hot Lips (Loretta Swit), Hawkeye strongly implied that the liver came from the corpse of a North Korean.

Frank agreed to authorize the time off.

But Hot Lips wasn't convinced and suggested that they summon a psychiatrist to examine Hawkeye. It turned out that Hot Lips knew a brilliant psychiatrist (Stuart Margolin) who had been crazy about her for years.

When they first met, Hawkeye implied that he was in love with Frank — an eyebrow–raising confession as far as the psychiatrist was concerned. And the psychiatrist decided to take Hawkeye back to Tokyo with him for observation.

That was when the episode really took off. Hawkeye and Trapper hatched another plan — with the help of Radar (Gary Burghoff) — to set up the psychiatrist using the object of his affections as the unwitting bait.

They switched the signs on Hot Lips' tent so the psychiatrist would think he was going into the visitors' tent. Then, once he was inside, the sign was switched again. When Hot Lips went into the tent, the psychiatrist grabbed her, Hot Lips screamed and the rest of the camp came running.

It was still early in the series' first season, but Hawkeye was establishing a reputation for resisting authority. OK, his character had already established that in the movie — but a TV series is a different animal. Each sitcom must have its own running jokes to succeed and must maintain them regularly. MASH did a pretty good job with that. After all, it lasted 11 seasons.

Margolin made another appearance on MASH — in its second season — as yet another specialist, summoned to the camp to perform nose surgery.

Tuesday, February 02, 2016

A Midsummer Night at M*A*S*H 4077th



"As of last Tuesday, our C.P.A. is a certified public enemy — having been incarcerated on five counts of fraud, two counts of embezzlement and countless counts concerning accounts for which he cannot ... account."

Charles (David Ogden Stiers)

I don't think it is necessary to have seen very many episodes of M*A*S*H before it occurs to you that the South Korea of the M*A*S*H universe was always either bitterly cold or brutally hot.

That is probably a bit of an exaggeration — but only a bit. The Korean weather was frequently the subject of jokes on the series, occasionally running for entire episodes, like the one that first aired on this night in 1981, "No Sweat."

Now, I have never been to Asia, but I understand that winters can be quite cold and summers can be hot and humid so that part is accurate. I also gather that the spring and fall months can have their pleasant moments, just as they do in this part of the world.

In other words, South Korea has its extreme moments weatherwise — but, really, doesn't every place? South Korea may have more of those moments than many places, but, come on. I live in Texas. As Gen. Phil Sheridan reportedly said, "If I owned Texas and hell, I would rent Texas and live in hell." We know all about heat here.

And folks in Canada know all about the cold and snow. I guess there are a couple of thousand miles between Texas and Canada, but we do have our bitterly cold snaps here during the winter, and Canadians have their brutally hot snaps in the summer. No place is immune, but few places go careening from one extreme to the other all year long.

In this particular episode, the folks at M*A*S*H were experiencing a severe heat wave, the kind that keeps you awake at night. Now, I'm the kind of person who can't sleep when I am hot and sweaty, anyway, so I could sympathize with the M*A*S*H folks, who were perspiring a lot in this heat wave — especially Margaret (Loretta Swit), who had developed a bad case of prickly heat on her derriere. She needed a certain kind of lotion to ease her suffering, but there had been so many cases of prickly heat that the camp was out of the lotion.

Everyone was affected by the heat, though, and the whole camp was up in the wee hours of the morning, looking for ways to fill the time. I have had my issues with insomnia from time to time as well, and I know how it feels to be up because it is so hot. As I said, I find it difficult to sleep when I am hot and sweaty, and it wasn't hard for me to project myself into their situation. I sure have been there. Been there, done that, don't want to do it again — but, as I say, I live in Texas. It is inevitable that I will be overwhelmed by the heat at some point.

(I have been so desperate to find a way to fill the time when I have been up with insomnia that once I mopped the floors in the kitchen and bathroom at about 2 or 3 in the morning. I guess I was hoping it would make me tired enough to fall asleep. Didn't work. I worked up a good sweat, but never fell asleep.)

Corporal Klinger (Jamie Farr) was up tinkering with the camp's P.A. system. He aspired to be a TV repairman when he went home, and he was getting in some electronics repair practice. Col. Potter (Harry Morgan) came into the office to fetch a sleeping pill. He was sure it would work because it always put him under, but he didn't want to grow dependent on them, which is why he kept them in his office, not his quarters.

Across the camp Major Charles Emerson Winchester (David Ogden Stiers) was trying to sort through his family's financial affairs. The family accountant had been convicted of fraud, embezzlement and, as Winchester put it, "countless counts concerning accounts for which he cannot ... account." Thus, his family had sent all its financial paperwork to him to sort through. He was in the mess tent, using the tables to spread out all that paperwork. Father Mulcahy (William Christopher) found him there and offered to make some lemonade.

More than the weather had B.J. (Mike Farrell) stewing. He was stressing out over a letter from his wife. Their house's gutters were clogged, and she was going to have to resolve the issue. His imagination was running wild. He had himself believing that these clogged gutters inevitably would drive his wife into the arms of a muscular handyman in their neighborhood.

A wounded soldier was brought in, and that took precedence over everything else. A helicopter was needed to take the soldier to a hospital after the surgery was done, but only Col. Potter could authorize that so Klinger was dispatched to rouse the colonel and have him order the helicopter. The pill had, as Potter predicted, really put his lights out. When Klinger finally got him to the office, he prodded the colonel to place the order for the morning. The colonel began placing an order as if he were staying in a hotel and ordering room service — asking for poached eggs and prunes.

"Order a helicopter," Klinger whispered.

"No, thanks," the out–of–it colonel replied. "I'm not that hungry."

Well, Klinger got Potter to place the order and took him back to bed.

But that was just the beginning. It seemed everyone in camp suddenly needed Potter for some purpose, and every time he was summoned, he had managed to catch up to the previous interruption of his sleep. I guess it was one of those situations where real–world interruptions simply weave their way into a person's dreams.

Winchester was the first to call upon Potter after Klinger got him back to his quarters. Winchester needed carbon paper for his financial paperwork, and the carbon paper was kept in a safe. Only Potter knew the combination.

In Potter's condition, I always wondered how he managed to provide the right safe combination, but somehow he did, and Winchester got him back to his quarters.

Then Hot Lips, upon learning of the helicopter, decided to order it to bring the lotion that would ease her painful itching. Once again, that was a job for Colonel Potter, whose overburdened mind had to balance the two previous visits to his tent and Hot Lips' account of her need for the lotion.

"Medicine? Who's sick?" Potter inquired.

Hot Lips replied that no one was sick, but she had a severe inflammation on her buttocks. In his condition, Potter began reminiscing about a time when he got what he called "rump rots" during World War I when he was pinned down all night in a wet foxhole. Comparing his experience to Hot Lips, he observed, "That cute little caboose of yours must be red as a beet."

As it turned out Klinger had just finished putting the P.A. system together again, and the conversation had been broadcast all over camp.

Now everyone knew Hot Lips' little secret — except Potter, who would have no recall of that interruption — or any other interruption — of his pill–induced slumber the next day.

Tuesday, November 24, 2015

Letters From Home



"I have no need to write letters to communicate with children. I have you for that, Pierce."

Charles Emerson Winchester (David Ogden Stiers)

On this day in 1980, M*A*S*H's second episode of the season aired. Traditionally, a network television series begins its new season in September.

Why the delay? Well, there was this three–month strike by the Screen Actors Guild and AFTRA against television and movie studios, and it delayed the start of most series by a month or two.

At the time, as I recall, the public angst was over having to wait to find out who shot J.R. on Dallas. There certainly was no shortage of suspects, and the subject sparked some pretty intense debates while impatient viewers waited for the strike to be resolved.

But perhaps the greater tragedy was the fact that the delay deprived TV viewers of some top–quality writing and acting, such as was displayed on M*A*S*H on this night in 1980.

It was the ninth of what turned out to be 11 seasons on the air for M*A*S*H. The show was a fixture in the Top 10, and its producers knew it had nothing to prove. That is truly a rare opportunity in television — or in any human endeavor, for that matter — to be able to pursue any creative angle you desire, knowing that you can get away with it even if it bombs — but, because you are who you are, such a failure is not likely.

(Sort of like Apple Inc., I guess.)

It can encourage people to push the envelope, which is what the folks at M*A*S*H did in an episode called "Letters."

Speaking of envelopes ...

In the episode that aired on this night in 1980, Hawkeye (Alan Alda) had received a package from home. It was from a friend of his who was teaching fourth grade in Hawkeye's hometown of Crabapple Cove, Maine. In the package were letters from this friend's pupils, who had been assigned to write letters to the people serving in Korea. Hawkeye had written a letter to his friend telling him how boring life could be around the compound — between those chaotic periods when casualties kept the surgeons on their feet for 18 or 20 hours — so his friend had the idea of perhaps sparking some pen pal relationships between the kids and the folks in the M*A*S*H unit.

Hawkeye distributed handfuls of letters to the familiar gang — B.J., Col. Potter, Charles, Hot Lips, Klinger, Father Mulcahy — and made only one rule: They all had to answer the letters they had been given. No swapping, trading or stealing.

Even though Father Mulcahy (William Christopher) had already opened a letter that asked if he had saved many lives. "A doctor really should answer that one," he noted. "I specialize in saving souls, not lives."

Col. Potter (Harry Morgan) reminded Mulcahy of his efforts with someone named Irving, which inspired Mulcahy's response. Turned out Irving was a homeless dog who showed up around the compound — and had a bit of a taste for booze. Well, more than a taste. Irving was a lush.

Mulcahy recalled that there had been a dog like that when he was in seminary. The way the seminary students had cured him was to make him drink bowl after bowl of whiskey until he was sick, then give him more whiskey when he was hung over. It worked on Irving.

"If people only had the horse sense dogs do," Mulcahy wrote.

One of the best vignettes of the episode focused on Hot Lips (Loretta Swit) and the attachment she formed to some of the patients who came through the compound — even, or perhaps especially, the ones who died. The viewing audience saw her sitting next to a mortally wounded soldier, smiling even though she knew he only had an hour or two to live. It was a rare glimpse into what touched Hot Lips on a personal level.

Col. Potter shared his exploits as "Hoops" Potter and his near miss at tying the camp record for making consecutive free throws.

"Take a word of advice from a retired bucketeer," Col. Potter wrote in his reply to one of the students. "If you take up a sport, make it horseshoes where you don't have to be perfect."

Klinger (Jamie Farr), the first–class Army scrounge, told one of the correspondents about his latest get–rich–quick scheme. He had acquired a couple of chinchillas and was planning to breed them for their fur — until Charles (David Ogden Stiers), who had worked with lab rodents when in medical school, informed Klinger that both of his chinchillas were male.

Hawkeye found himself having to answer a letter that struck a nerve. It was from a youngster whose older brother had served in Korea. He had been wounded and was sent to a M*A*S*H unit that patched him up and sent him back to his unit, where he was killed in combat.

"You doctors just make people better so they can end up dead. I hate you all," the letter concluded.

Hawkeye tried to get Father Mulcahy to write the reply, but Mulcahy refused. He said the letter had stirred up deep emotions within Hawkeye, and he would have to deal with them whether he wrote the letter or not. So Hawkeye answered the letter.

"It's not a good idea to take the love you had for your brother and turn it into hate," Hawkeye wrote in his reply. "Hate makes war, and war is what killed him. I understand your feelings. Sometimes I hate myself for being here, but once in awhile in the midst of this insanity a very small event can make my being here seem almost bearable."

That was good, but I think my very favorite part of the episode involved Charles. He had been enjoying penning sarcastic replies to the letters he had been given, but one letter made him pause. It was from a young girl who wrote about autumn in Maine and the beauty of the leaves. She enclosed a leaf from a birch tree because she wasn't sure if Korea had an autumn, and she wanted to share the beauty with the person who got her letter.

Charles, a native of Boston, knew about autumn in New England. "It is with indescribable joy," he wrote, "that I accept your gift. It is indeed testimony to the beauty that exists in all creation, but perhaps nowhere more than in a young girl's heart."

From time to time, M*A*S*H aired episodes that followed a similar structure. A single thing, like the receipt of all those letters, was an opportunity to look into the hearts and souls of the leading characters. I don't think it was a new technique, but I believe M*A*S*H perfected it.

Perhaps on this night 35 years ago.

Saturday, September 19, 2015

Change of Command Growing Pains



Hawkeye (Alan Alda): I'd like to talk to you about Corporal Klinger.

Col. Potter (Harry Morgan): And his all–girl orchestra?

The last that MASH fans had heard, Frank Burns (Larry Linville) was acting commanding officer after the discharge and death of Henry Blake (McLean Stevenson), and every MASH fan knew that Frank fully expected to be made permanent commanding officer. He was already trying to mold the 4077th in his and Hot Lips' (Loretta Swit) somewhat twisted images.

But 40 years ago tonight, Frank was notified by mail that the Army, for whatever reason (and I'm not even sure a reason was given, but it's been awhile since I have seen the episode), had decided not to make Frank the permanent commanding officer. Instead, Col. Sherman Potter (Harry Morgan) had been given the assignment.

Col. Potter was a career Army doctor who had spent the previous two years behind a desk. As such, the surgeons were concerned about two things — that he would submit the camp to a lot of Army discipline to which no one was accustomed and that he had lost his surgical touch in two years of inactivity.

Their first concern seemed to be legit when Potter summoned the camp's officers to his office to get acquainted — and he read aloud to each of them from their personnel files.
Col. Potter: Major Margaret Houlihan.

Hot Lips (Loretta Swit): Sir!

Col. Potter: Ten years, spotless record.

Hot Lips: Thank you, sir!

Col. Potter: Major Frank Burns.

Hot Lips: Just friends, sir.

Col. Potter was quite different from Henry Blake. When he met Corporal Klinger (Jamie Farr), he told him to get out of the dress he was wearing and into a uniform — and to stay in uniform. After making the change, Klinger began suffering from a rash that the surgeons determined must be psychosomatic — and they agreed that Klinger should wear women's underwear beneath his uniform. That seemed to solve Klinger's problem — at least until one day when the only thing he had to wear beneath his uniform was a half–slip.

The staff at the 4077th soon came to realize that Potter was not going to be the wild–eyed disciplinarian they had feared — that he would be reasonable, but he did have his standards.

The one who was having the most difficulty, of course, was Frank. He was crushed when he wasn't made permanent commanding officer, and he went AWOL.

Hot Lips covered for him around Col. Potter, but away from Potter she confided in Hawkeye (Alan Alda) and B.J. (Mike Farrell), who found it hilarious that by–the–book Frank Burns was absent without leave.

After the first intensive surgery session, which, as I recall, wrapped up in the wee hours of the morning, it was clear that Potter had not lost his touch. When he told them that "I could use a belt," Hawkeye and B.J. invited him back to their tent for some of their homemade hooch — and the three began to bond.

As they were in the process of becoming inebriated, Potter told Hawkeye and B.J., "I had a still on Guam in WW2. One night it blew up! That's how I got my Purple Heart."

As it so often did, MASH provided some good life lessons in this episode:

  • Your life's journey will probably expose you to many different kinds of people. It is unfair to judge one against another because everyone is different. The folks at the 4077th were used to Henry Blake as their C.O. Now they had to get used to someone else. They did not always agree with the way he did things, and they missed Henry, but that didn't necessarily make either wrong, just different. The key was giving each the space to do the job the way they were able to do it.
  • Your life's journey is also likely to include some disappointments. Have the courage to face them. Now, courage isn't always an easy thing to summon forth, and it doesn't necessarily mean you will prevail, but you will feel better about yourself when you have the courage to face your setbacks.


Saturday, September 12, 2015

When It Really Did Feel Like the First Time



The episode of M*A*S*H that was shown 40 years ago tonight felt like the series' debut, even though the actual opening night was three years earlier.

Two of the charter members of the cast — McLean Stevenson and Wayne Rogers — had left the series, and the hour–long episode that aired 40 years ago tonight introduced Rogers' replacement — Mike Farrell as Dr. B.J. Hunnicutt — to the viewers. Harry Morgan was introduced as Stevenson's replacement, Col. Sherman Potter, a week later.

It wasn't the last time that the core cast would change, either. Before the series ended, Larry Linville (Frank Burns) and Gary Burghoff (Radar) would leave, bringing in David Ogden Stiers to replace Linville as a staff surgeon and elevating Jamie Farr as Burghoff's successor as company clerk. Linville's character was acting commanding officer by the time the '75 season began 40 years ago tonight, but Harry Morgan would soon be brought aboard as Col. Potter, the unit's duly appointed new commanding officer.

For most TV series, so many personnel changes would be too much to survive. But it worked for M*A*S*H — and I think it was kind of a perfect storm. Military units change personnel rather rapidly; ironically, that made Hawkeye (Alan Alda), who was the pivotal character in the program, the anomaly, the one who stayed the whole time, along with Hot Lips (Loretta Swit). So it was natural that people came and went, even those people to whom the audience felt an attachment. That, too, happens in war. It added an extra layer of realism to a series that so often walked a fine line between comedy and drama.

As the episode opened, Hawkeye was returning to camp after some R&R in Tokyo. He and the audience already knew that Stevenson had left — and been shot down over the Sea of Japan — but neither knew that Trapper John (Rogers) had received his orders to return to the States.

When Radar told him, Hawkeye hitched a ride with Radar to pick up Trapper's replacement. Hawkeye hoped to catch Trapper before his plane left so he could say goodbye, but they got there 10 minutes after Trapper's departure.

They met his replacement (Farrell) and took him to the Officers' Club after discovering that someone had taken their Jeep. Radar was uneasy about going into the Officers' Club, being an enlisted man, but Hawkeye took B.J.'s captain's bars and put them on Radar's cap. If anyone asked, Hawkeye said, they were field testing a new rank — corporal–captain.

I always liked the dialogue on "M*A*S*H," but I particularly liked the dialogue in this episode. For example, upon entering the club, a clearly nervous Radar ordered his trademark grape Nehi. When it was served to him, the bartender asked, "Does the 'captain' want a straw?"

Radar, trying to come across as if he belonged in officers' country, replied, "We don't use straws in combat, fellah!"

Then Radar noticed a colonel who was eyeing him. and he told Hawkeye. "What colonel?" Hawkeye asked. "There's enough brass in here to make a spittoon."

"Over there at eight o'clock," Radar replied. "He keeps staring at me."

"He's probably crazy about you," Hawkeye said.

Anyway, the three needed transportation back to the 4077th. Hawkeye saw a general's Jeep parked outside the club. He plucked the general's flag from the hood, and the three of them climbed in the Jeep and headed for the camp.

Things were going swimmingly for the travelers until they happened upon a Korean family who had sent two daughters into a field to use sticks to see if there were land mines there. If the girls survived, the field was safe for the family's ox — and for the family to plant crops.

They tried to stop the girls from their task, but a mine went off and one of the girls lay motionless on the field. Radar went running into the field in spite of his companions' protests, picked up the wounded girl, instructed the other to take hold of his sleeve, and they ran back to the Jeep.

The Jeep backtracked to a hospital where the three dropped off the girl and some other members of the family, then resumed their trip to the 4077th. That was when they had a flat tire — and, while they were changing it, they came under sniper fire. They got away with the lugs on the tire a bit loose, then stopped down the road to tighten them. B.J. observed that there was a bullet hole in the seat next to him. Radar remarked that the general who owned the Jeep would have a fit.

"Why should he?" Hawkeye asked. "We fixed his flat."


Shortly thereafter the Jeep came under mortar fire. The three abandoned the Jeep and sought cover, then had to tend to the wounded from a unit of soldiers that had been walking through the area. Once that was finished, they resumed their trip and made it to Rosie's Bar near the camp. They stopped for a drink, then proceeded to the camp, where a now inebriated B.J. checked in with Frank Burns by saluting and saying, as he had been instructed by Hawkeye, "What say you, Ferret Face?"

Frank, who had been fantasizing (along with Hot Lips) about training B.J. to be his kind of Army doctor, realized that he had another Trapper John on his hands.

But not for long. A new commanding officer was on his way to the 4077th.

Wednesday, February 25, 2015

The Visit of Big Mac



Col. Whiteman (Graham Jarvis): While the general is here, do not address him unless he first addresses you, and then always use his full name and rank in reply, as 'Yes, General MacArthur,' 'No, General MacArthur,' 'Thank you, General MacArthur.'

Trapper (Wayne Rogers): God almighty!

Hawkeye (Alan Alda): Close, very close.

Douglas MacArthur was frequently the butt of jokes on TV's M*A*S*H, but rarely was an entire episode devoted to it. The episode that first aired 40 years ago tonight was devoted to it.

The camp received a phone call when all the surgeons were in the O.R. Radar took the call. It was a head's up that MacArthur was coming to visit. Seems the 4077th had the best survival rate of any medical unit in the theater.

At the pre–visit briefing, there was some one–upsmanship going on.

Frank (Larry Linville): I think the colonel might like to know that Major Houlihan's (Loretta Swit) father was under General MacArthur in the cavalry.

Hawkeye: (To Trapper) Her father was a horse! Did you know that?

Trapper: (To Hot Lips) Our engagement is off!

Everyone was busy getting the 4077th spruced up for MacArthur's visit. Radar put all kinds of special doo–dads in the VIP tent, including two red–white–and–blue lamps, prompting Trapper to waggishly ask if he was looking for two honest men.

Frank, meanwhile, was busy burning books because of objectionable content of one kind or another.

Trapper: Frank! What are you doing?

Frank: Burning books.

Hawkeye: Oh. Any special reason, Dr. Hitler?

Frank: One of the greatest living Americans is coming and I'm not going to let him see some of the trash that's read around here.

Trapper: Plato's Republic? The Life of Red Grange?

Hawkeye: Revolutionaries.

Frank: Right!

Trapper: Robinson Crusoe?

Hawkeye: Everybody runs around half naked.

Trapper: Norman Mailer.

Frank: It's got that word in it.

Hawkeye: Frank, you burn one more book, I'm gonna give you a dancing lesson in the mine field. Now, knock it off, gnat brain!

At one point, Hawkeye took a group picture of the 4077th staff. It was intended to be included in the commemorative photo album that would be presented to the general.

Hawkeye told Frank to get in the front row because "I want to catch those eyes."

Frank was pleased — until Hawkeye added another instruction: "Keep them spinning counter–clockwise!"

The 4077th was doing a rehearsal for MacArthur's arrival when Big Mac actually did drive through the compound — but he didn't even stop. All he saw was the rather astonished staff saluting him as he drove past ...

And Klinger (Jamie Farr), dressed as the Statue of Liberty, at the sentry post as MacArthur's jeep left the compouond.

Wednesday, February 18, 2015

Not-So-Sweet Dreams



Of all the thought–provoking episodes the MASH TV series created in its 11 seasons on the prime time schedule, the one that first aired 35 years ago tonight may have been the series' most poignant.

Called "Dreams," the episode explored the dreams of the series' leading characters, and each revealed something about the character — his/her desires, fears, insecurities. Everyone was tired after the marathon sessions the MASH staffers put in. Sometimes they flopped into their cots and were asleep before their heads hit their pillows. Other times they dozed off while sitting in the mess tent or post–op.

Inevitably, there was a peaceful quality to many of the dreams that would be interrupted by the reality of the nightmare they couldn't escape. Col. Potter (Harry Morgan) dreamed of riding his horse through an open field and hearing his mother calling to him. At that point, he was awakened by Klinger with news that he was needed in surgery. Potter lamented the fact that he couldn't have had a little more time so he could taste his mother's cooking again.

That was an indirect intrusion of the war. The intrusion was more direct with the others. It was absorbed into the story line of the dream — the way that dreams do. Or, at least, mine do. I don't know about yours. When my alarm goes off in the morning, it often weaves itself into whatever dream I am having, and for a moment there is a tug–of–war going on between my dream and my reality.

Father Mulcahy (William Christopher) was nodding off while listening to a wounded soldier's confession, and the soldier's words became gibberish. Mulcahy would rouse himself, and the words would begin to make sense again, but then he would drift off again and the gibberish would resume. When he finally fell asleep, he dreamed he was the pope blessing the faithful before he was roused from his slumber by the soldier.

I don't recall having many dreams that were as intimate and deeply personal as the dreams of the MASH staffers, but their dreams clearly revealed their most cherished desires and principles — and their greatest fears. Being awakened from the dream was almost a relief for many.

Charles (David Ogden Stiers), for example, dreamed he was a magician, performing magic tricks that astonished the MASH staff. But, when he was faced with a life–and–death matter, none of his tricks could save the patient.

Hawkeye (Alan Alda) dreamed he was in a medical school class being conducted in the camp's mess tent. He couldn't answer the professor's questions so, each time, he had to surrender one of his limbs. Then he found himself in a boat floating in a river with arms and legs all around him. On the shore, he saw a little girl who was holding an apparent wound. She looked at Hawkeye with the silent plea for help. He looked at her and shrugged.

Hot Lips (Loretta Swit) had perhaps the most bittersweet dream. She was dressed in a white wedding dress that became blood stained from the wounded.

Clearly, her mind had concluded that her problems finding the husband and home she had always wanted were the result of her work in a war zone. Not an entirely injudicious conclusion, either.

His dream took B.J. (Mike Farrell) all the way back to his home in Mill Valley, Calif., where he was dancing with his wife. But he was called away to the O.R. by his sense of duty, and his wife went back to the ballroom on the arm of another man.

Klinger (Jamie Farr), too, went all the way home in his dream — back to his beloved Toledo. He saw all the familiar sights, then looked in a window and saw Potter operating on someone. The person on the table turned and looked in his direction — and Klinger saw that it was himself.

Potter beckoned for Klinger to come in.

It was a powerful episode made plausible by the writers' ability to portray the ways of dreams. I was impressed with their skill when I saw this episode for the first time, and I have been envious of it, as any writer should be, on the occasions when I have seen it again. Given the fact that a 30–minute episode is really about 23 or 24 minutes when one accounts for commercial time, the writers had, on average, less than four minutes to tell the story of each character's dream.

Wednesday, January 29, 2014

Here's to Hot Lips



Lt. Linda Nugent (Peggy Lee Brennan): Do you dance, Radar?

Radar (Gary Burghoff): Uh, no. Football knee.

Lt. Linda Nugent: Oh, you played football?

Radar: Not much, I had a bad knee.

Hot Lips Houlihan (Loretta Swit) was a pioneer among women's TV characters.

There had been other women in American television who were positive, assertive role models by 1979, but I can't think of any (other than women in TV movies) who had to overcome as much as Margaret Houlihan.

By the time the episode that made its debut 35 years ago tonight was aired, M*A*S*H was in its seventh season. Just think of all Hot Lips had been through in that time. She had had an affair with a married man, then she had married an officer, from whom she had just become officially divorced.

As a coping mechanism, Hot Lips threw herself into her work, devising a new triage system for her nursing staff and annoying Col. Potter (Harry Morgan) with the details of her plan. Hot Lips told Potter that she was determined to "go as far in this man's Army as any woman can go." Talk about gung–ho. It was a bit much for Potter.

For validation, she invited a general (Walter Brooke) to come and review her crew in action.

Meanwhile, Radar (Gary Burghoff) struggled to get the attention of a new nurse (Peggy Lee Brennan) with whom he was smitten. He turned to ladies' man Hawkeye (Alan Alda) for help.

Mostly, though, the episode was about Hot Lips and her attempt to elevate herself after the psychological beating she had taken over the failure of her marriage — a commendable objective, to be sure. But her effort to build a new and improved Margaret nearly got derailed by the general who came to review her new triage system.

The general, you see, had been acquainted with the old Hot Lips and had ideas of his own for her future.

He wanted to promote Hot Lips and take her back with him to his base, where she could be his mistress — a high–ranking mistress but a mistress all the same.

He didn't realize she was a different woman — at least, not at first. He soon found out.

Hot Lips was unaware of his ulterior motive when she greeted him at the compound, but it became clear enough to her in due course.

And she wasn't willing to go along with it. The general stormed angrily out of Margaret's tent when she turned him down. When he had gone, she held up her glass in a silent toast to herself and said, "Here's to me."

I see no such role models for young girls on 21st–century TV. More's the pity.

Thursday, February 28, 2013

The Night the Nation Watched



If, at the end of my life, I am asked to list the five days that I remember the most vividly, I have no doubt that list would include this day in 1983.

It was on that day that the final episode of M*A*S*H, titled "Goodbye, Farewell and Amen," was broadcast. To this day, it remains the most–watched TV broadcast ever.

1983 was quite a year for historic TV events. Super Bowl XVII the previous month, The Thorn Birds miniseries the next month and The Day After TV movie in November are still among the Top 50 TV events of all time. But the M*A*S*H finale is the all–time champ.

Well, the last couple of Super Bowls might have surpassed the M*A*S*H finale. Those numbers aren't available yet. But even if they did, it seems to me that comparing an unscripted championship game to a scripted performance is sort of like comparing apples to oranges.

Frankly, there were many reasons why the M*A*S*H finale drew so many viewers — and why no comparable broadcast is ever likely to duplicate the achievement.

It was a popular series. Well, not at first. It got off to a rocky start in its first season, but it was a fixture in TV's Top 10 through most of its run. It lasted 11 years.

During that time, Alan Alda, who played Hawkeye Pierce, was recognized by the Golden Globes six times and by the Emmy Awards five times.

And any discussion of the quality of the M*A*S*H series and its record–setting finale must include the writing, which was always top notch. There were the regular writers, of course, but members of the cast often contributed to the writing — and the directing.

If you watch all the episodes that were broadcast, the inescapable conclusion is that never was there a more creative crew. M*A*S*H was truly an ensemble effort.

Even though cable did exist at the time of the M*A*S*H finale, it was still in something of a nascent phase. Many people were receiving it, but many more were not.

In my market, as I recall, cable subscribers could get maybe two dozen channels, not the hundreds that are available now. Thus, the potential audience was not as fragmented as it is today.

Because of the sheer number of the alternatives available, I'm inclined to think that nothing that is shown on a single channel today can attract the share of the TV market that the M*A*S*H finale did.

The overall audience for a major news event might exceed it, but many channels will show the same news event. And sports events are, as I say, unscripted. Among programming that is scripted (and, almost always, recorded in advance), the M*A*S*H finale's viewership has never really been challenged — and almost certainly never will be.


There were several memorable, poignant moments in that program, and many folks will mention the same ones.

But there's one scene that I always enjoy watching whenever the show is being repeated, even though it has rarely been mentioned in my presence. That's a scene in which Col. Potter (Harry Morgan) was taking a break between surgical cases and Max Klinger (Jamie Farr) came up to him to ask for some advice.

Potter told Klinger he only had a minute to spare.

"Do you understand women?" asked Klinger. The running joke about Klinger, of course, was that he had long been trying to get out of Korea by wearing dresses, but now, because he was in love with a South Korean girl who had been separated from her parents and would not leave the country until she found them, he was considering staying in South Korea after the impending end of the conflict.

That was the conundrum with which he had been wrestling. But no one else knew that.

"Oh," Potter replied, apparently relieved. "What I understand about women will take a lot less than a minute."

That, my friends, is great writing. That's just all there is to it. And Harry Morgan, old pro that he was, delivered it perfectly.

Equally fine writing was on display earlier in the program, when Hawkeye was coming to grips with his role in a tragic event. His attempts to repress that memory had landed him in a psychiatric hospital, and the scene in which he had his breakthrough remains one of the most emotionally devastating moments I have ever witnessed on television.

Each of the primary stars — Mike Farrell, Loretta Swit, David Ogden Stiers — had his/her opportunity to shine although perhaps not quite as brightly as the ones I have mentioned.

They were all great, but I think all would agree that they have never been affiliated with a project or a group of people as special as those who brought M*A*S*H into America's living rooms for 11 years.