Showing posts with label Parley Baer. Show all posts
Showing posts with label Parley Baer. Show all posts
Sunday, October 29, 2017
Never Underestimate Country Wisdom
Mayberry had been dealing with a string of cow thefts when the Andy Griffith Show episode — "The Cow Thief" — aired on this night in 1962.
Mayberry was a rural town with several farmers in the area, and the mayor was determined to get this case solved. To that end he summoned an investigator from the state capitol to help Andy (Andy Griffith) and Barney (Don Knotts) crack the case.
The investigator had some pretty good observations to make, but let me tell you something. I grew up in a small town that was really only a slightly larger version of Mayberry. As an adult, I have lived and worked in much–larger cities. Based on their respective realities, city and country have their own ways and logic that aren't necessarily transferable to the other. Neither is wrong. It is just that neither is adequate as a one–size–fits–all kind of thing.
And so it was in this episode. Applying city logic, the investigator made some observations that even Andy admitted made "good sense." But Andy was a country boy, and this case required a country eye, not a city eye.
Andy's country eye had spotted the presence in town of a vagrant named Luke (Malcolm Atterbury), and he had let Luke know that Andy knew he was in town. Andy kept an eye on Luke, but he never mentioned what Luke had done in the past. My guess is that it had something to do with theft because Luke apparently jumped to the top of Andy's list of suspects — quickly.
The investigator, of course, had no reason to suspect Luke. If he saw him in the street, he would no doubt mentally dismiss him as one of the town's residents. Nothing more, nothing less.
He certainly wouldn't have thought about Luke based on the forensic evidence in which he placed so much faith.
The investigator had determined, after examining footprints that had been found at the scene of one of the thefts, that there were three men involved — one who was of about average weight and two others who were much heavier. That made sense, based on the forensic evidence.
But Andy always thought outside the box, and he realized there was a set of footprints that was missing — the cow's. Putting two and two together, Andy guessed that Luke was putting shoes on cows to throw others off the scent.
But, without any real evidence, it was simply a guess — and not a good one as far as the mayor (Parley Baer) was concerned.
See, Andy had set Luke up, allowing him to overhear his conversation with a farmer about keeping his new cow secure — and to call him at the office if he was needed because Andy said he would be working late.
Truth is they were baiting the hook, and Luke took it.
Andy had summoned the mayor, the investigator and Barney to the farmer's home to wait and see if Luke showed up. After Andy explained his conclusion, the mayor said it was a harebrained scheme and stormed out, calling for the investigator and Barney to follow him. The investigator did so without hesitation, but Barney wasn't convinced and was slower in following.
A few minutes later Barney returned and told Andy that he'd been about to leave when he remembered another time when the mayor of Mayberry accused Andy of having a harebrained scheme.
"Do you remember?" Barney asked. "That was when you had the idea of making me your deputy."
Andy's confidence in Barney had been justified. They made a good team — albeit one that was a bit unorthodox.
And Barney's faith in Andy was proven to be justified even if Andy's methodology was also a bit unorthodox. Luke's calls for help summoned them to the barn, where they discovered that a "nearsighted old man" had tried to put shoes on "an ornery old bull."
I guess there are a few lessons to take from this episode.
Primarily, never dismiss country wisdom as being inferior to city wisdom. Country wisdom is founded in experience and observation of the natural world. It is logical. In the words of an insurance company's advertising, "We know a thing or two because we've seen a thing or two."
Andy had seen a thing or two.
Labels:
1962,
Andy Griffith,
Andy Griffith Show,
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episode,
Malcolm Atterbury,
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sitcom,
The Cow Thief,
TV
Friday, December 25, 2015
Dining on Integrated Turkey
We all get busy with other things at this time of the year, don't we? Sometimes to the exclusion of things we really want to do as opposed to those things that we feel we must do or that we feel obligated to do. Funny thing about obligations. People don't always put a priority on the right one.
Well, yesterday (Christmas Eve) was such a day for me. I got busy with other things and entirely neglected to write about something that I have been intending to write about — a special Christmas episode of the Bewitched television series that premiered 45 years ago yesterday.
Better late than never, I suppose.
It was called "Sisters at Heart," and the story was written by some two dozen black high school students in South Los Angeles after they paid a visit to the Bewitched set at the invitation of series star Elizabeth Montgomery and her director and husband William Asher. It dealt with racism and prejudice at a time when that was rarely addressed on television.
It was about a black co–worker of Darrin's (who was played by this time by Dick Sargent) and his family. The co–worker was about to leave on a business trip, and his wife was going with him. They were going to leave their daughter with the Stephenses while they were away, and they brought her over to the Stephens home prior to their departure.
That was terrific as far as Tabitha (Erin Murphy), the Stephenses' daughter, was concerned. The two girls were friends, and Tabitha liked the idea of having a sister, albeit temporarily. Tabitha, as children do, latched on to the idea and started telling people that she and her house guest were sisters. Her friend played along with the game.
Anyway, while the other girl and her parents were in the house, another visitor dropped by. He was the owner of a toy company, and Darrin had been trying to win his advertising account. The visitor's unannounced arrival was deliberate; the goal was to find out if Darrin had any secrets he wanted to conceal.
Samantha was busy with her youngest child when he arrived so he only met the wife of Darrin's colleague, her daughter and Tabitha. Tabitha's friend told the visitor (Parley Baer) that she and Tabitha were sisters. Based on their brief conversation, his assumption was that it was a biracial marriage. It turned out he was a racist, and he wanted Darrin removed from the account.
Tabitha also told a child in the park that she and her friend were sisters, but the child told her they couldn't be sisters because their skin colors were different. Tabitha decided to resolve that and cast a spell on the two, giving them polka dots. When Samantha discovered what Tabitha had done, she insisted that Tabitha reverse the spell, which she tried to do but could not. The reason why was unclear until Samantha deduced that Tabitha didn't really want to reverse the spell because she wanted the two girls to remain sisters.
When Samantha explained to the girls that they didn't have to look alike to be sisters, Tabitha was able to reverse the spell.
The spell, of course, blew the cover on the Stephens family secret about Samantha and Tabitha being witches — but only to Tabitha's friend, not her parents or the owner of the toy company.
At a Christmas party at the Stephens house, Darrin's boss told him that the owner of the toy company wanted him removed from the account. During the party, the owner of the toy company realized his mistake, that it was not a biracial marriage, and he told Darrin's boss (David White) that it was OK for Darrin to work on the account after all.
When Samantha learned why Darrin had been rejected initially, she decided to teach the toy company owner a lesson and cast a spell on him. He saw everyone in the house as black — himself included when he looked in the mirror.
On Christmas Day, he returned to the Stephens home. The black family was visiting, and the toy company owner apologized to them all for his bigotry and expressed remorse for his racism.
His apology was accepted, and he was invited to share Christmas dinner with them. "We're having integrated turkey," Samantha told him, "white and dark meat."
Montgomery said it was her favorite Bewitched episode, and it isn't hard to understand why. Bewitched was about dealing with prejudice — the prejudice of the mortal world against the wiccan one — and Montgomery opened and closed the episode by telling the audience the episode "was created in the true spirit of Christmas ... conceived in the image of innocence and filled with truth."
In Bewitched, witches were a put–down minority. But all minorities are not — pardon the pun — created equally.
I suppose racism and wiccaphobia (if such a word exists) aren't entirely comparable. I mean, one can't easily conceal one's race — the way, for example, one can conceal (although not always easily) one's sexual orientation. Consequently, I guess wiccaphobia has more in common with homophobia than racism — Bewitched often proved as much in the characters' efforts to hide Samantha's wiccan abilities.
But the argument can be made that prejudice is prejudice, whether it is on the basis of things that are seen or things that are unseen (or, perhaps, assumed).
Precisely because prejudice and bigotry were hardly ever addressed on TV before 1971, when All in the Family made its debut and made social relevance a key component of TV, "Sisters at Heart" was almost unique in its approach to its topic. Ironically, in these politically correct times, it would probably be viewed as insensitive if it premiered today because some of the characters appear in blackface.
As it so often is with political correctness, that is a classic case of failing to see the forest for the trees.
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