Showing posts with label Anne Francis. Show all posts
Showing posts with label Anne Francis. Show all posts

Wednesday, June 10, 2015

Out of Sight, Out of Mind



"I don't want to make a big thing out of this, but what kind of a place is this?"

Marsha (Anne Francis)

No doubt about it. Anne Francis was a beautiful woman ... especially when she was young. (Now, before you say, "Who wasn't?" hear me out.)

She had all the qualities necessary to play a damsel in distress in the movies. That was a big part of her beauty — the impression people seemed to get that she was fragile. But she wasn't. Appearances can be deceptive, and that was never more accurate than in the case of Anne Francis.

She was tough, and she could be skeptical. In "The After Hours," the episode of the Twilight Zone that first aired on this night in 1960, her character observed that the elevator that was taking her to a department store's ninth floor (which, as it turned out, didn't exist) was empty, save for her and the elevator attendant (they still had elevator attendants in 1960) even though the lobby had been crowded with shoppers wanting to be taken to the upper floors.

She was told that the elevator in which she was riding was an express elevator that only took customers to the ninth floor, where special items were available. Didn't really seem like the item she sought — a gold thimble — was so special, but she had told the attendant that it was advertised.

She was able to rationalize that ... but rationalizing things became progressively more difficult.

She became aware of strangers — apparently department store employees — who knew her by name (Marsha). And then she learned from the store's manager that the store had no ninth floor. Spooky, huh? Spooked Marsha so much she had to lie down in an office and slept through the store's closing. When she woke up, she was locked in.

So she went looking for a way out.

Then she became aware of people gathering around her — disembodied voices that seemed to be coming from the mannequins who could be seen throughout the store.

In the world of the department store, the mannequins had their own world, and each month one of them left the store to live in the world of the humans. It was like a little vacation.

Only Marsha had forgotten that she was a mannequin on holiday and that her time in the outside world had expired. She hadn't recognized the mannequins she encountered in the store — and her tardiness in returning had delayed the next mannequin's departure.

"Did you enjoy yourself, Marsha?" another mannequin asked Francis after her character remembered everything and the other mannequins said goodbye to the mannequin whose turn it was to live with the "outsiders," as they were called. "Was it fun?"

"Ever so much fun," she replied with a smile. "Ever so much fun."

And the mannequins assumed their natural positions.

Friday, April 01, 2011

Science Fiction Comes of Age



It was 55 years ago that "Forbidden Planet" premiered on America's movie screens, and I suppose it's kind of a bittersweet time for fans of the sci–fi classic.

Anne Francis, who was in her mid–20s when the film was made, died three months ago at the age of 80. Her co–star, Leslie Nielsen, died about five weeks earlier. He was 84 — would've turned 85 in February.

By 1956, filmmaking in general had been maturing for decades, but some genres — science fiction, for example — were still in their infancies. Bruce Eder of AllMovie observes that science fiction didn't really begin to distinguish itself from "horror films and movie serials" until after World War II.

Nielsen and Francis helped the genre come of age.

A few years ago, the American Film Institute came out with its Top 10 lists of movies in 10 categories — and "Forbidden Planet" wasn't on the list of science fiction's best.

That wasn't terribly surprising. Only two of the films on the list (and I would argue that one of those films would be more properly designated as a "horror film," to borrow Eder's phrase) were made before "Forbidden Planet" — and the subsequent films on the list all came along more than a decade later, when the special effects were more advanced.

A sci–fi film's special effects are crucial, and the effects in "Forbidden Planet" often look cheap to modern eyes. Thus, it may come as something of a surprise to those modern viewers to know that most critics, Hal Erickson of AllMovie among them, think the special effects were state of the art.

And they were — for that time.

Beyond the special effects, though, the story was great — timeless, in fact — and the cast was top notch.

Ultimately, I guess, that is what "Forbidden Planet" proved on this day in 1956. Even though sci–fi flicks have always needed whatever special effects the then–current technology could provide, they will always need a good story to hold everything together.

And there was no question that "Forbidden Planet" had a great story. It was inspired by Shakespeare's "The Tempest." Consequently, it was really more of a romance than it was a story about space exploration.

It was a story about a lot of things, really. Obviously, it raised some eyebrows over the subplot's hints at Francis' relationship with her father (played by Walter Pidgeon).

But it also introduced a more humanlike robot — "Robby" — to the science fiction story. Robby has been the model for generations of mechanical companions that have followed (the robot from Lost in Space, the characters in the "Star Wars" movies, etc.); after "Forbidden Planet," robots were routinely members of the cast.

It has been observed that, before "Forbidden Planet," science fiction was a genre that mostly appealed to juveniles. After "Forbidden Planet," the genre came of age.

Monday, January 03, 2011

Anne Francis Dies



Note: This is a true story.

It has been my custom in recent years to watch the Twilight Zone New Year's marathon on the Syfy Channel. The marathon usually airs on New Year's Eve and New Year's Day so one of my pleasures on those days is to bounce from Syfy to the bowl games.

This year, that practice produced an eerie sensation.

One of the Twilight Zone episodes that is always shown during these marathons is an episode from 1960 called "The After Hours." Personally, I've never been too fond of it, but, for some reason, when it came on this time, I watched it all the way through.

I didn't care much for the story, but I watched anyway, and I marveled at how beautiful Anne Francis was, at her steel–belted porcelain features.

She was delicate yet tough. For many boys who came along before I did, she was the personification of simmering sex appeal as the love interest in "Forbidden Planet," which she made when she was in her mid–20s.

"Forbidden Planet" was before my time, but I have a tape of it and I (inexplicably, at the time) felt compelled to watch it after the end of the Twilight Zone episode. Now, the episode came on late Saturday night. It was a little too late to start watching a movie so I got out the tape and resolved to watch the movie sometime on Sunday.

I had every intention of doing so, but I didn't. I even had the opportunity to watch the movie on Turner Classic Movies, which was scheduled to show it late yesterday afternoon.

But I was caught up in the football games.

And then, today I learned that Anne Francis died yesterday at the age of 80. I expect to watch that tape sometime in the next few days — even though I have seen it several times already.

It wasn't groundbreaking in its special effects. In fact, I suspect that modern viewers would think it was rather tawdry. But it is the great demarcation point for the science fiction genre.

All science fiction films that came before, including the ones that rose above the level of "Plan 9 From Outer Space," seem to lead directly to "Forbidden Planet," and all the ones that followed seem to flow directly from it.

The Internet Movie DataBase described Francis as "[o]ne tall, cool drink of water." Hal Erickson observed, for AllMovie.com, that, "in the days of publicity–agent pigeonholing, [she] was dubbed variously as 'The Fragile Blonde with the Mona Lisa Smile' and 'The Palomino Blonde.' "

Perhaps no one else could have been as convincing in the role of Alta. Perhaps the role required those qualities.

Most of Francis' career was spent on the small screen. She is remembered by some as Honey West (a detective who had an ocelot for a pet in an Aaron Spelling production), by others for her guest appearances on some of the most popular TV series of the 1960s, 1970s and even 1980s.

She was remarkable for reasons that went beyond her acting career. Married and divorced twice before she was 35, Francis had a daughter with her second husband, then made history as one of the first unmarried people to be granted an adoption in the state of California in 1970.

She was diagnosed with lung cancer in 2007. Pancreatic cancer has been given as the cause of her death.