Sunday, December 17, 2017
Turning the Page
As Christmas episodes go, the episode of How I Met Your Mother that first aired on this night five years ago, "The Final Page," wasn't your typical Christmas episode. In fact, it really only mentioned the season in passing and offered no unique spin on the holiday.
It was really more of a continuation of the series' timeline, telling a story that just happened to take place at Christmas.
By my definition, a Christmas episode tells a seasonal story. It might be a re–telling of the actual Christmas story, a spin on the traditional stories of Santa Claus or something that is unique to the nature of the show, but the one thing they all have in common is that they reinforce, in some way, the values and beliefs that inspire people of faith.
Well, on second thought, I guess there was an element of that in "The Final Page." Maybe a smidgen.
But calling "The Final Page" a Christmas episode is applying the broadest possible leeway to that term. What happened in that episode could have happened at any other time of the year — only without the Christmas lights and mistletoe in the penultimate scene.
Those elements would have had to be replaced in some way, I suppose, because they really did make a contribution to the effectiveness of the scene. And because I can't think of any comparable elements that could be used as substitutes, I am not really sure how they could have been replaced without significantly changing how that final scene was written.
So the Christmas season may have been the only realistic backdrop for this episode. Setting it at any other time of the year would have been a bit of a stretch.
But calling it a Christmas episode really is a stretch.
OK. Rant over.
But, really, the theme of this episode was not in keeping with the season.
It was a two–part episode, and both parts aired back to back on this night five years ago. The first part was inspired by "The Silence of the Lambs," and it was about throwing someone into one's pit.
Ted (Josh Radnor) wanted to throw one of his old architecture professors in the pit. This particular professor had never expressed approval of Ted's ideas, and Ted craved a "what do you think of me now?" moment. He never got it and reluctantly realized he had to let go of that particular desire.
Lily (Alyson Hannigan) and Marshall (Jason Segel) were in someone else's pit — a former college classmate who had been obsessed with them. Understandably that made them uncomfortable. They bumped into each other, and he invited them back to his home. They imagined the worst. As it turned out, he had formed a phenomenally successful company that sold hacky sacks named for the three of them. He wanted to give them $100,000 because they inspired the idea, but they rejected the offer without knowing what they were rejecting.
Robin (Cobie Smulders) had someone in her pit — co–worker Patrice (Ellen D. Williams). Robin believed Patrice was in a relationship with Barney (Neil Patrick Harris) and was going to fire her, but she relented.
The viewers later learned that Barney's relationship with Patrice was an act designed to get Robin to realize her feelings for Barney. It was another one of his elaborate "Playbook" plans. Fans of How I Met Your Mother know that Barney's "Playbook" was filled with strategies for bedding women — not wedding them. But as the first part of the episode ended, Barney showed Ted the ring he planned to give Patrice when he proposed — and swore him to secrecy.
In the second part of the episode, Ted was going to break his promise to Barney and tell Robin, but he got cold feet and invited her to be his escort at the grand opening of a building he had designed. When they got together, Ted spilled the beans, and Robin ended up at the building where Barney was supposed to be proposing to Patrice.
When she got to the roof, where this was supposed to be taking place, no one was there. But she did find a page from the Playbook titled "The Robin" that detailed the plan for getting her to accept his proposal. After she read it, Barney appeared from the shadows.
As I say, it was not really a Christmas episode.
It was more of a Valentine's Day episode — in Barney's creepy, manipulative sort of way.