Monday, May 11, 2009

If It Weren't For Bad Luck ...



These days, there are probably a lot of people who can sympathize with the old expression, "If it weren't for bad luck, I'd have no luck at all."

Recently, I happened to see an episode of "Frasier" that was the embodiment of that sentiment.

In the episode, Frasier had recently lost his job and his 30th high school reunion was coming up. Frasier was leaning toward not going because, every time that a high school reunion came up, it coincided with a time in his life when something was amiss — one year, his wife had just divorced him; another time, he had been left at the altar; still another time, as he told his brother, "I fell face first into the poison ivy!"

Frasier was convinced that he was cursed, that "destiny's plan" was for him to go to the reunion and be the "class loser" who winds up taking a seat with "the most pathetic people there" — the chess club's barbershop quartet, The Checkmates — and join them in a round of "Goodbye, My Coney Island Baby."

His brother tells him he is a man of science who should know that curses don't exist. To persuade him, Frasier's brother observes that there were explanations for the bad things that happened prior to the previous reunions — he tripped and fell into the poison ivy, his radio station changed formats (leading to his job loss), his wife didn't love him (leading to his divorce). "If this is a pep talk," Frasier replies, "would you kindly segue to the peppy part?"

Frasier fluctuates over whether to go to the reunion, asking Roz to be his date but then deciding, after she has already gone to great lengths to get a babysitter and get herself all dolled up for the occasion, not to go after all. Then, when one of his classmates mistakes him for a street person, he changes his mind again and gives Roz a last–minute phone call. He catches her in the bathtub with a pint of Häagen–Dazs, but she comes through like a trouper.

However, after Roz shows up, Niles talks Frasier out of attending the reunion and Roz storms angrily out of the apartment, justifiably upset about being "stood up twice" for the same event. At that point, Frasier's father tries to help by making up a job offer to make Frasier feel better, and Frasier leaves, solo, for the reunion, ready to gloat.

Apparently, Frasier learns, after arriving at the reunion, that the job offer was nonexistent, although the viewing audience never sees that part. It seems the curse won, after all, and he proceeds to take his seat with The Checkmates.

I can understand how Frasier felt. Last summer, my high school class held its 30th reunion. I had been hearing rumors of cutbacks at my place of employment for several weeks, so I chose to stay in Dallas and work at home, hoping to avoid what turned out to be inevitable.

I didn't label it a curse, as Frasier did, but, in hindsight, I'm not so sure.

Saturday, May 09, 2009

A Mother's Day Movie



Just out of curiosity, if you were planning to show a movie about a mother on Mother's Day, which movie would you choose?

Would you choose "Forrest Gump," which shows the close relationship between a mother (played by Sally Field) and her mentally challenged son (Tom Hanks)?

Would you choose a move about an overprotective mother, like "Butterflies Are Free," the film for which Eileen Heckart won an Oscar?

Would you choose a movie about an abusive mother, like "Mommie Dearest," in which Faye Dunaway played the allegedly monstrous mother, Joan Crawford?

There are many movies that explore the relationship between a mother and her child(ren). There are even movies that explore the relationship between a stepmother and her child(ren).

But the movie that Turner Classic Movies has chosen for its primetime spotlight tomorrow night, "Bunny Lake Is Missing," probes a relationship that may not even exist — because the child may not exist.

In the movie, Carol Lynley plays a single woman who relocates from America to England where she and her 4–year–old daughter, "Bunny," will live with her brother. Lynley's character drops Bunny off for her first day of nursery school, but when she returns to pick her up later that day, no one at the school can recall ever seeing the child.

For that matter, movie viewers haven't seen her, either.

Thus begins a harrowing tale of a police investigation for a possibly nonexistent child. Laurence Olivier plays the police superintendent, Noël Coward (in one of his final film roles) plays a sadomasochist who lets himself into the Lakes' apartment as he wishes and Keir Dullea (perhaps best remembered for his role as "Dave" in the film "2001: A Space Odyssey") plays Lynley's brother.

The movie has a surprise ending, which I won't give away here. I will only encourage you to watch it. It has become something of a cult favorite since it made its debut in 1965.

The film is directed by one of my favorite directors, Otto Preminger, who also made one of my favorite courtroom films, "Anatomy of a Murder." He also directed one of my favorite political films, "Advise and Consent."

The movie will be shown at 7 p.m. (Central).

Friday, May 08, 2009

Outlook Appears Grim for Farrah



If you were a teenage boy in the 1970s — as I was — there can be little dispute that Farrah Fawcett was perhaps the most desired woman in the entertainment industry. Most boys my age had a copy of her famous poster on the wall. It sold 12 million copies, a figure that remains unsurpassed.

But Farrah, with her tousled hair, perfect teeth and slender build, was more than a pretty face. She proved over the years that she was a talented actress, earning Emmy nominations for performances in TV movies based on the true stories of a battered wife and a predatory and narcissistic mother.

Next week, she will be featured in what may be the most important film of her life — a two–hour documentary on her battle with cancer.

According to recent reports, it may be miraculous if she lives to see the airing of the documentary a week from today — although, based on comments made by her longtime partner and current caretaker Ryan O'Neal in an interview with People magazine, she spends much of her time asleep these days. She might not be awake to watch it.

Reports suggest that Farrah is in the final stages of her cancer, and she seems to have reached a level of acceptance. Her weight is said to be between 86 and 101 pounds, and she seems to be taking most, if not all, of her nourishment via IV. O'Neal says her treatments have ended and her famous hair is gone now, and her appearance has been described as "hauntingly gaunt."

Farrah is to be commended for her courage in filming her fight with cancer and allowing it to be shown. Many people might consider it an intrusion to be filmed at such a time, but Farrah has put personal considerations on the shelf, choosing to show as realistically as possible what people facing cancer must endure.

If your life hasn't been touched by cancer, all I can say is that you are fortunate. I have seen the ravages of what O'Neal calls an "insidious enemy" in my own life.

I wish Farrah the best. I pray for a cure. But I probably will not watch the documentary.

Tuesday, May 05, 2009

Dom DeLuise Dies



Comic actor Dom DeLuise has died at 75.

Although it has been awhile since DeLuise appeared in a film, his passing is a considerable loss for the entertainment industry.

His first film, according to All Movie Guide, was in 1958's "Tom Thumb," when DeLuise was in his mid–20s. I've never seen it, but it must have been a small part because AMG doesn't even list a name for his character in that film.

Six years later, he appeared in another film, "Diary of a Bachelor," which doesn't seem to have earned stellar reviews. But he had another small role in another film that year that did receive strong reviews — "Fail–Safe," a Cold War drama about a bomber squadron that, through misguided electronic transmissions, is accidentally sent on a mission to bomb Moscow.

In that film, DeLuise played an uncharacteristically dramatic role as a sergeant who must share with the Soviets — as a way of demonstrating the Americans' good intentions — the secrets for shooting down the elusive American bombers. His performance can be seen in the attached clip.

A couple of his co–stars in that movie also had some experience in comedies — Walter Matthau, who played a scientist, spent most of his film career getting laughs, and Larry Hagman, who played an interpreter, probably appeared in more dramas than DeLuise and Matthau combined, but there are those who will always think of "I Dream of Jeannie" whenever his name is mentioned.

Anyway, after "Fail–Safe," DeLuise settled into the kind of movies and TV roles that brought him fame and fortune.

He was a favorite of Mel Brooks and Burt Reynolds, appearing in several of their films. He also made numerous TV appearances.

It's almost impossible to pick his best performance. Personally, I always liked his appearance in Reynolds' "The End," playing Reynolds' fellow mental patient, who tries to help Reynolds' character commit suicide.

But I enjoyed many of his performances.

And I shall miss him.

Monday, May 04, 2009

Audrey's 80th Birthday


I think this clip from "Always," Hepburn's final film, is poignant.
Hepburn's character, an angel named Hap, gives advice to
Richard Dreyfuss, whose character is recently deceased.


Today would have been actress Audrey Hepburn's 80th birthday, but she died of appendiceal cancer on Jan. 20, 1993.

Hepburn — like that other actress named Hepburn — was a unique talent. In fact, she is one of only nine people to win the four major entertainment awards in American show business — a Grammy, an Oscar, a Tony and an Emmy. The Grammy and the Emmy were awarded posthumously.

Unlike that other Hepburn, however, Audrey Hepburn's life was much too short. She was only 63 when she died. But she lived her life well, winning an Academy Award for her performance in 1953's "Roman Holiday" and earning four more nominations (for "Sabrina," "The Nun's Story," "Breakfast at Tiffany's" and "Wait Until Dark").

Like her life, Hepburn's acting career was abbreviated. After her Oscar–nominated performance in 1967's "Wait Until Dark," in which she played a blind woman who was targeted by three criminals looking for heroin hidden in a doll, she appeared sporadically in films. She returned to the screen in 1976's "Robin and Marian," co–starring Sean Connery, then appeared in 1979's "Bloodline" (her only R–rated film) and 1981's "They All Laughed," her final starring role.

Her last film appearance was in 1989's "Always," in a cameo performance as the angel Hap. It was Steven Spielberg's remake of the 1943 film "A Guy Named Joe."

In addition to her acting work, Hepburn did extensive work for UNICEF and was named a goodwill ambassador for UNICEF shortly after finishing her work on "Always." She had very definite opinions about the human condition.

"The 'Third World' is a term I don't like very much, because we're all one world," she said. "I want people to know that the largest part of humanity is suffering."

In April 1989, after visiting civil war–torn Sudan, where food supply lines from aid agencies had been severed, she said, "I saw but one glaring truth: These are not natural disasters but man–made tragedies for which there is only one man–made solution — peace."

Amen.

In fact, you could write a book about Hepburn's life and several have. You certainly can't do justice to her life and career in a single blog post.

But we can be thankful she was among us.

Wednesday, April 29, 2009

Uma's Birthday



Today is actress Uma Thurman's 39th birthday, and I have a few thoughts to share.

Modern movie audiences probably recognize Thurman from her roles in Quentin Tarantino's "Kill Bill" films and cult favorite "Pulp Fiction."

But I first saw her when she was breaking into movies in the late 1980s. The first time I saw her was as Venus/Rose in "The Adventures of Baron Munchausen." It was a modest role, compared to the lead roles she has had in most of her films, but she was only 18 and still new in the business.

Her role was inspired by the famous Botticelli painting, "The Birth of Venus," which can be seen below:

That same year, I saw Thurman in another supporting role in "Dangerous Liaisons," co–starring with John Malkovich, who made his movie debut only four years earlier with an Oscar–nominated performance in 1984's "Places in the Heart."

"Dangerous Liaisons" really launched Thurman's career, paving the way for her appearances in "Henry & June," which was the first film to be rated NC–17, "Even Cowgirls Get the Blues," "Mad Dog and Glory" and, of course, the "Pulp Fiction" and "Kill Bill" films.

But Thurman may have been a bit overshadowed in "Dangerous Liaisons" by her co–stars — besides Malkovich, the cast included Glenn Close, Michelle Pfeiffer and, in her final role, Mildred Natwick.

Over the years, Thurman hasn't always received rave reviews for her performances, but I attribute that more to the weakness of the material or the shortcomings of the director. For more than 20 years, I have regarded Thurman as one of the shining stars of the movie industry, and I think there are many great performances in her future.

Monday, April 27, 2009

Für Elise



It was 199 years ago today that Beethoven wrote his famous piano composition, "Für Elise."

No one is absolutely sure who Elise was, although scholars tend to believe she was his mistress.

One theory is that the piece originally was named "Für Therese," in honor of Therese Malfatti von Rohrenbach zu Dezza, one of Beethoven's students. It is said that Beethoven, who was 22 years older than Therese, wanted to marry her and proposed in 1810, but she rejected his proposal. Supposedly, when the piece was published in 1865 (nearly 40 years after Beethoven's death), the title was transcribed incorrectly.

It has also been suggested that Elise was a nickname for Therese.

Well, I guess it doesn't matter. For more than 140 years, it has been known as "Für Elise," and it will remain so.

And, no matter for whom it was written, it is a lovely and timeless composition.

Sunday, April 26, 2009

Remembering Lucy



Twenty years ago today, Lucille Ball passed away at the age of 77. It was about a week after she had a dissecting aortic aneurysm, which led to an eight–hour operation that was considered successful, but her aorta ruptured in a second spot eight days later and she died soon after.

It's not my purpose here to dwell on the circumstances surrounding the death of one of the greatest comediennes ever to appear on American television but rather to reflect on her great talent.

So, today, I would like to share with my readers one of my all–time favorite sketches from the "I Love Lucy" TV series. I refer to Lucy's performance in "Lucy Does a TV Commercial," which first aired nearly 57 years ago — on May 5, 1952.

Lucy's fans each have their favorite episodes, and there were certainly many great ones to choose from in that landmark series. This one, in which Lucy makes a commercial for a "health" product called "Vitameatavegamin," has long been my favorite. The product is supposed to have everything in it — meat, vitamins, vegetables, minerals — and it's laced with 23% alcohol.

Watch it and enjoy Lucy's genius at physical comedy. Few, if any, could match her, and I doubt we will ever see anyone like her again.

(Incidentally, though, April 26 has been a day of significant loss for the entertainment industry. Irene Ryan, who played Granny on "The Beverly Hillbillies," died on this day in 1973. Count Basie died on April 26, 1984. Actor Broderick Crawford died two years later. Actor Mason Adams died on this date in 2005. And Jack Valenti, a long–time president of the Motion Picture Association of America [MPAA] and the creator of the MPAA's film rating system, passed away on this date two years ago.)

Saturday, April 25, 2009

Bea Arthur Dies at 86



Sadly, actress Bea Arthur has died of cancer at age 86.

Modern audiences are probably most familiar with her work on "The Golden Girls," but my memories of her go back to the 1970s, when she made guest appearances on "All in the Family" as Edith's cousin, Maude, and went on to star in her own spin–off series, "Maude."

Early in her adult life, Arthur had a modest stage career, but she made her television debut on Dec. 11, 1971 — about six months before her 50th birthday — when, as Maude, she came to nurse the ailing Bunker family back to health in "All in the Family." I have attached a memorable clip from that episode to the top of this post.

As the star of her spin–off series, Arthur's trademark phrase was, "God'll getcha for that."

Arthur's performance on "Maude" earned her five Emmy nominations and four Golden Globe nominations during the series' six–year run.

In the mid–1980s, she was cast in "The Golden Girls" as Dorothy, the acerbic daughter of Estelle Getty's character, Sophia. Getty, who died last July, actually was a year younger than Arthur but was made up to appear much older. Arthur was nominated for four Emmys and four Golden Globes for her work on "The Golden Girls," which ran for seven seasons.

She won one Emmy each for her work on "Maude" (in 1977) and "The Golden Girls" (in 1988).

Last June, she and "The Golden Girls" co–stars Betty White and Rue McClanahan accepted the "Pop Culture" award at the Sixth Annual TVLand Awards.

Ironically, the Seventh Annual TVLand Awards will be presented on Sunday.

Thursday, April 23, 2009

Shakespeare's Birthday



No one really knows when William Shakespeare was born. In fact, there are a lot of things about Shakespeare that are unknown. It isn't known, for example, what Shakespeare really looked like, what his religious beliefs were, what his sexual preference was, even whether all the works with which he is credited were actually written by him.

But April 23 is a reasonably good date to use as his birthday. April 23 was a date that, if it wasn't his birthday, fell around the time of significant dates in his life. It is known that he was baptised on April 26, 1564, so it is logical to assume he was born a few days before that. His first child was born on May 26. And it is also known that he died on this date in the year 1616.

April 23 is also the date on which St. George's Day is traditionally observed.

If this really is Shakespeare's birthday, it's been 445 years since the birth of the greatest writer in the history of the English language. And it wasn't many years after what would have been his 400th birthday that my sixth–grade English teacher decided to show us Franco Zeffirelli's film of "Romeo and Juliet" starring Olivia Hussey and Leonard Whiting. I have attached a clip from that film with this post.

The movie was nearly 2½ hours long so, since our class periods were about 50 minutes long, my teacher had to show it to us over three days. But it may be the best film production of that play, possibly because the lead roles were played by actors who were close in age to what Shakespeare intended. Many of the previous productions featured much older Romeos and Juliets.

Today, nearly 450 years after his birth, Shakespeare remains, as Sir Laurence Olivier said, "the nearest thing in incarnation to the eye of God."