Showing posts with label Satisfaction. Show all posts
Showing posts with label Satisfaction. Show all posts

Thursday, August 20, 2015

'Satisfaction:' The Triumph of the British Invasion



If you weren't alive during the so–called British invasion of the mid–20th century and you would like an idea of how thoroughly and how quickly it succeeded in capturing the imagination of American youth, you really need look no further than the Rolling Stones' "Satisfaction," which was released in the Stones' homeland — the United Kingdom — 50 years ago today.

It was released in the United States nearly three months earlier.

Although there had been earlier reports in the American media of the popular music being made in England, the British invasion of United States pop culture generally is believed to have begun when the Beatles arrived in New York to appear on the Ed Sullivan Show in February 1964. By 1965, it seems the invasion was over, and the British performers were here to stay. America was where the money was. Media, too.

There is a pretty convincing case to be made for the significance of the year 1965 in modern popular music history. The Beatles had three of the top five hits of the year — "Help!" "Yesterday" and "Ticket to Ride" — but the Stones' "Satisfaction" was the top–selling single of the year, followed by America's Bob Dylan's "Mr. Tambourine Man."

If you listened to the radio in 1965, you heard some of the biggest hits ever recorded by The Kinks, The Who, The Supremes, The Mamas and the Papas, The Beach Boys, The Yardbirds, The Moody Blues, Marvin Gaye, James Brown, Wilson Pickett, Roger Miller, Tom Jones, Herman's Hermits, The Temptations, and the list went on.

I was a small child in those days, and many of my peers had older brothers and sisters who introduced them to the music of the time, but my experience was different. I was the oldest in my family but far too young to be interested in the radio, and my parents rarely listened to the radio (my father would switch it on in the car if there was a good football game being played). I suppose my exposure to the music of my generation would have been further delayed if not for the fact that my father was a professor at one of the three colleges in my hometown, and he and my mother typically hired his students to watch my brother and me when they wanted to go out for dinner or a movie or something else. Sometimes the students came to our house to watch my brother and me; other times, my parents dropped us off at the dorm, and I can remember hearing the music of that time echoing through the halls of the dorms.

Undoubtedly, that is where I heard many songs for the first time. It is probably why I feel as if I have always known the words to some songs — I heard them played over and over again when I was young.

(If brainwashing were as benign as simply implanting song lyrics into one's brain, I could probably support it. But, I suppose, that form of brainwashing already exists.)

Speaking of which, it is funny how the brain functions, isn't it? I mean, every time I hear "Satisfaction," I remember — however briefly — when I saw "Apocalypse Now" and it was featured on the movie's soundtrack.

Sunday, June 06, 2010

A Satisfying Single



Five and a half years ago, Rolling Stone named it the #2 greatest rock 'n' roll song of all time.

Considering that nothing has been recorded and released since that time that could even remotely be considered a threat to it, I have to assume that the Rolling Stones' "Satisfaction" is still the second–greatest song in Rolling Stone's opinion, second only to Dylan's "Like a Rolling Stone," which was released the following month.

Oh, did I mention that today is the 45th anniversary of the commercial release of "Satisfaction?" It became the first — and perhaps the greatest — #1 hit in the Stones' storied career.

I guess a lot of songs could be said to be Vietnam era songs, but "Satisfaction" seemed to grab the unofficial title when it was prominently used in the 1979 film "Apocalypse Now."

I've wondered which song the individual Stones would pick as representative of the Vietnam era. I'm inclined to doubt that Keith Richards would name "Satisfaction." He didn't seem to think there was anything special about it. The song's famous, distinctive guitar riff wasn't unique in the Stones' repertoire, he insisted, saying that "there is only one song — it's just the variations you come up with."

I have heard — although I've never been able to prove — that Mick Jagger once said he would rather be dead than still singing "Satisfaction" when he was 40. Maybe he did, but he seemed to come to appreciate the role the song played in his success. It was "the song that really made The Rolling Stones," he said, "changed us from just another band into a huge, monster band."

Over the years, it has become such a favorite of Rolling Stones audiences that it practically takes an act of God to prevent the Stones from playing it in their concerts. But I was present once when the Stones didn't play it — even though Jagger was not yet 40.

It was a rainy Halloween weekend in Dallas, and a friend of mine and I had obtained tickets to a Stones show in the Cotton Bowl. It had become routine for the Stones to play "Satisfaction" as their final song at the shows on their North American tour. But, on that occasion, it was raining so much and the speakers were making snap, crackle and pop sounds — and someone, perhaps someone in the band, perhaps someone in the offstage entourage, decided it wasn't safe to continue.

It was the only show on the tour that did not have "Satisfaction" as its finale.

I was disappointed that I never got to hear the Stones play "Satisfaction."

But I was pleased that its absence made the show I saw unique.