Showing posts with label Shakespeare. Show all posts
Showing posts with label Shakespeare. Show all posts

Sunday, April 24, 2016

The 400th Anniversary of the Bard's Death



If you read this blog with any regularity, you know that I write about many entertainment–related topics. I have written about William Shakespeare — directly or indirectly — four times. This is the fifth.

I last wrote about Shakespeare around the 450th anniversary of his birth. I say "around" because the exact date of his birth is not known.

The date of his death is another matter. That was 400 years ago yesterday, and it prompted observances the world over.

One of the grandest celebrations was at Shakespeare's birthplace in Stratford–upon–Avon, where more than 10,000 people attended a parade marking the occasion.

If you think that it is inappropriate to have a parade at Shakespeare's birthplace on the anniversary of his death, you are obviously unaware of something I have mentioned in this blog before. Shakespeare's actual birth date is unknown. It is only known that he was born in April 1564, but many people have speculated that he was born on April 23. If that is true, then the bard died on his birthday.

When I wrote about the 450th anniversary of Shakespeare's birth, the emphasis of my post was the many ways Shakespeare has influenced modern English. That continues to fascinate people in all kinds of ways. For example, on the 400th anniversary of Shakespeare's death, The Sun focused on the top insults from his plays.

You never know when a good 16th–century putdown is going to be called for.

If you happen to be in the Boston area, a more enlightening experience may be found at the Boston Public Library's exhibit of rare first and early editions and forgeries.

Chicago, it seems, would be the best place to satisfy a hunger for the bard. A yearlong festival in that city will feature "Shakespeare–themed menus from Chicago chefs,"

The best way to honor Shakespeare, it seems to me, would be to watch a Shakespearean play. A live performance would have been best, and Barack Obama marked the occasion suitably by visiting the famed Globe Theatre and observing Hamlet's "To be or not to be" soliloquy where it was almost certainly first performed before an audience.

Monday, March 10, 2014

Brush Up Your Shakespeare



"Brush up your Shakespeare
Start quoting him now
Brush up your Shakespeare
And the women you will wow."


Cole Porter

Most of the people I know will tell you they only glanced at a Shakespeare play when they were assigned to read one in school — and some of them didn't even do that. Shakespeare was widely seen as having no real relevance to modern readers.

Those folks probably would be shocked at how often they actually quote Shakespeare, some on a daily basis. He had a far greater influence on our modern English than you probably think.

For instance ...

A few months ago, when the nation marked the 50th anniversary of the death of President Kennedy, the word assassination was used a lot, right? It is the word that has always been used when a prominent person is killed by someone else.

Or is it?

A person who murders a prominent person has been called an assassin for a long time. That word has Arabic roots that go back more than a thousand years. But the act of killing a prominent person was not called an assassination ... until Shakespeare came along and used that word in "Macbeth."

When Shakespeare was writing in the late 16th and early 17th centuries, there was more freedom for writers to do what he did practically routinely — which was to take an existing word and sort of play with it, like a sculptor plays with clay, until a functional shape emerged. Thus, a noun like assassin became a verb (assassinate) — and yielded another noun to describe the action (assassination).

(Of course, we do quote Shakespeare in whole sentences or phrases, too, such as "all's well that ends well" or "foregone conclusion.")

When I was in school, I knew a lot of people who complained when they were assigned to read something Shakespeare had written. His language wasn't modern enough, they complained.

I'm not much of a linguist, but I am something of an historian, and I know that, if the idea was that Shakespeare wrote in Old English, that was plain wrong. Old English began to fall from favor several hundred years before Shakespeare was born.

(Old English really has a lot more in common with the Germanic mother tongue of the Anglo Saxons than modern English does.)

Shakespeare didn't write in Middle English, either. There were a lot of changes in the English language after the French–speaking Normans invaded in 1066, and Middle English came to prominence about 200 years before the Bard was born.

If my friends had to read the same text in both Middle English and Old English, they would find Middle English easier to comprehend — but not by much.

(If you don't believe me, try reading Chaucer's "Canterbury Tales," which was written in Middle English. Here's an excerpt from the prologue: "To telle yow al the condicioun, Of ech of hem, so as it semed me, And whiche they weren, and of what degree, And eek in what array that they were inne, And at a knyght than wol I first bigynne.")

In fact, Shakespeare wrote in what is known as Early Modern English. It came into use about a century before he was born and is nearly indistinguishable from the English that is written and spoken today.

Now, as you may have noticed, I have mentioned Shakespeare's birth a couple of times. That was intentional — or premeditated, to use another Shakespearean creation (from "King Henry VI, Part I") — because, in about six weeks, we will observe what is probably the 450th anniversary of Shakespeare's birth.

I say "probably" not because it was a Shakespeare word — it might have been, I just don't know — but because it isn't known exactly when Shakespeare was born. It is known that he was baptized on April 26, 1564, and his date of birth, while not known for certain, has been traditionally observed on April 23.

If that is when he was born, then Shakespeare died on his 52nd birthday because we know that he died on April 23, 1616.

The "Oxford English Dictionary" estimated that Shakespeare created some 3,000 words that one can find in the dictionary today — words like countless, for example (from "Titus Andronicus").

That is an astonishing influence on the language, especially when you consider there was no dictionary in Shakespeare's day. The dictionary came into existence about a decade before he died. Shakespeare was sparsely educated, but he would have had no more resource for studying the language he spoke and wrote than anyone else of his time. Grammar texts didn't come along until a century — or more — after his death.

I'm inclined to think that it isn't so much the words that Shakespeare used that tend to confound people — it's the way they're arranged.

Of course, one cannot disregard the fact that words do change meaning — and some fall from use entirely — over time, which can affect the reader's comprehension.

But I still think a lot of the negative reaction to Shakespeare stems from his habit of organizing words in sentences in ways that sound strange to modern ears — even if the meaning isn't altered.

Need an example? Take this five–word sentence: "The governor made a speech."

You could arrange those words in six unique sentences that essentially say the same thing but in different word orders. (Warning: Sometimes it reads like something Yoda might write.)
The governor made a speech.
The governor a speech made.
Made a speech the governor.
Made the governor a speech.
A speech the governor made.
A speech made the governor.

The key to reading and enjoying Shakespeare's work is not learning another language. It is using the language you already know, sometimes rearranging the words in an order that makes sense to you. It really isn't that arduous.

In the meantime ...

The next time you hear the word addiction ("Henry V") or elbow ("King Lear") or rant ("Hamlet"), you can thank Shakespeare.

Of course, someone might have come up with those words someday, anyway. But who knows?

Tuesday, October 08, 2013

Discovering Shakespeare



I guess just about everyone knows the story of "Romeo and Juliet," Shakespeare's tale of star–crossed lovers from feuding families.

I don't know how many movies have been made of that play over the years — four or five, perhaps? And there was a period of time there, spanning about five or six years, when public TV aired about half a dozen of Shakespeare's plays per year. I don't remember specifically, but I'm certain that "Romeo and Juliet" must have been one of them.

My point is that there have been lots of versions of that play available — in fact, I think a new one is slated to premiere later this week — so if you're a fan of the Bard and you want to see "Romeo and Juliet," there is no shortage of productions from which to choose.

I've seen a few of the productions that have been preserved on film and/or video tape, and I think I would recommend director Franco Zeffirelli's movie, which made its debut on this date in 1968.

That probably was the first version I ever saw, and I saw it in school. My sixth–grade English teacher showed it to us, but she only had us for about an hour each day and the movie was nearly two hours and 20 minutes long so my memory is that she showed it to us over a period of three days, and on the third day, we discussed the movie after its conclusion.

One of the things I appreciated — although I probably didn't realize it at the time — was the fact that Zeffirelli cast actors to play Romeo and Juliet who really were teenagers — just as Shakespeare intended. They were believable.

I didn't understand everything in the play (I think it was the first time I ever saw a Shakespeare play, and it was a challenge just to understand 16th–century dialogue), but I could comprehend enough to know that these were supposed to be two very young people, folks who were close to my age, not my parents' ages.

Later on in life, I recall seeing other movie versions of the play and being struck by how old the stars were. It really prevented me from fully appreciating the story.

But Olivia Hussey, who played Juliet, was a little bit older than the Juliet of the play — but only by a year or two, not a decade or two like some of her predecessors. Likewise, Leonard Whiting, who played Romeo, was perhaps a year or two older than the Romeo in the play, but, again, most of the Romeos who came before him were much older. Sir Laurence Olivier provided the narration.

By and large, sixth–graders are an immature bunch. I say that knowing that, although I was probably more serious than most of my peers at that age, I had my immature side, too.

And my memory is that we all giggled at the mushy stuff ... you know, the kissing scenes and scenes where more of Hussey's breasts could be observed — oh–so fleetingly — than usual.

Such a thing is normal for boys of that age, I guess. For girls, too, I suppose, but I was never an adolescent girl. I remember that Hussey inspired a lot of conversations among the boys on the playground during the days we watched that movie — then our attention shifted to something else.

I don't remember any conversations about the realistic nature of the casting, but I do remember thinking about it — even if I wasn't old enough to think — or communicate — in terms like realism.

Nor do I remember how the post—movie discussion went. A roomful of 12–year–olds probably didn't offer too many deep insights.

And my teacher probably felt frustrated. I am a teacher now, and I know how it feels to plan a lesson and really believe that you've found a way to make it fun and interesting and meaningful for your students — only to discover that it falls far short of your expectations.

I don't know where that teacher is now. If I could, though, I would thank her for opening up the world of Shakespeare to my young eyes and ears.

Her efforts were not in vain.

Sunday, January 06, 2013

The Real Treasure of the Sierra Madre



Gold Hat (Alfonso Bedoya): Badges? We ain't got no badges! We don't need no badges. I don't have to show you any stinkin' badges!

Humphrey Bogart is my favorite actor, and "The Treasure of the Sierra Madre" is my favorite Bogart movie.

But Bogart didn't utter the most famous line from that movie, which premiered on this date in 1948.

That was Alfonso Bedoya, the Mexican actor who played Gold Hat, the bandit who famously protested that "I don't have to show you any stinkin' badges!"

The American Film Institute ranked that line 36th in its list of the Top 100 movie quotes. No other line from "The Treasure of the Sierra Madre" made the list.

There were some other great lines in that movie. There were some great performances, too. But, for whatever reason, Bedoya's line is what people always seem to remember.

Well, it was his most memorable role, and the line has become somewhat iconic. So I suppose that is understandable.

But it is still worth remembering that Bedoya's role was a comparatively small one. And it would qualify as a supporting role only because it had far too few lines for it to be considered a leading role.

Bogart probably was regarded as the lead actor in the movie, but his performance wasn't nominated for an Oscar. I don't know why. I've seen all the performances that were nominated that year, and I didn't think any of them were better than Bogart's.

Howard (Walter Huston): Water's precious. Sometimes it's more precious than gold.

Walter Huston won the Oscar for Best Supporting Actor. His son, John Huston, won Oscars for directing and writing.

The movie itself was nominated for Best Picture but lost to "Hamlet." Oh, well. It's tough to beat Shakespeare. Those tales have been around for centuries.

The story was a morality play worthy of those that were popular in Europe before Shakespeare's time. Morality plays tend to be conflicts between good and evil, and, admittedly, "The Treasure of the Sierra Madre" didn't necessarily invoke God or the devil or religious themes in general — well, not directly — as most morality plays do, but it did focus on greed, which, it seems to me, is in the same ballpark.

It did, however, suggest that 1 Timothy was right when it said, "For the love of money is a root of all kinds of evil," so perhaps there is a strong religious theme at work here.

Three Americans set off on a trip to prospect for gold in the wilds of Mexico. Initially, their intentions are noble, and those intentions include dividing the gold they find evenly, but greed takes over as the piles of gold begin to grow.

Bogart's character underwent the most radical change, going from a generally decent (if flawed) guy to a greedy, conniving, paranoid character, a virtual Jekyll–Hyde role that must have been fun for him to play.

(If nothing else, it was good prep for his later role as Captain Queeg in "The Caine Mutiny.")

Ironically, given the status the movie has achieved with modern fans, my understanding is that it wasn't particularly well received by the public 65 years ago.

Apparently, many moviegoers of the time did not want to see Bogart playing such a reprehensible character.
Dobbs (Bogart): Nobody puts one over on Fred C. Dobbs.

Those moviegoers deprived themselves of one of the great acting jobs in movie history. It was a real treasure.

But if you have never seen it, you don't have to deprive yourself much longer. Turner Classic Movies will be showing "The Treasure of the Sierra Madre" Saturday afternoon at 4:30 (Central).

Thursday, April 23, 2009

Shakespeare's Birthday



No one really knows when William Shakespeare was born. In fact, there are a lot of things about Shakespeare that are unknown. It isn't known, for example, what Shakespeare really looked like, what his religious beliefs were, what his sexual preference was, even whether all the works with which he is credited were actually written by him.

But April 23 is a reasonably good date to use as his birthday. April 23 was a date that, if it wasn't his birthday, fell around the time of significant dates in his life. It is known that he was baptised on April 26, 1564, so it is logical to assume he was born a few days before that. His first child was born on May 26. And it is also known that he died on this date in the year 1616.

April 23 is also the date on which St. George's Day is traditionally observed.

If this really is Shakespeare's birthday, it's been 445 years since the birth of the greatest writer in the history of the English language. And it wasn't many years after what would have been his 400th birthday that my sixth–grade English teacher decided to show us Franco Zeffirelli's film of "Romeo and Juliet" starring Olivia Hussey and Leonard Whiting. I have attached a clip from that film with this post.

The movie was nearly 2½ hours long so, since our class periods were about 50 minutes long, my teacher had to show it to us over three days. But it may be the best film production of that play, possibly because the lead roles were played by actors who were close in age to what Shakespeare intended. Many of the previous productions featured much older Romeos and Juliets.

Today, nearly 450 years after his birth, Shakespeare remains, as Sir Laurence Olivier said, "the nearest thing in incarnation to the eye of God."