Showing posts with label ZZ Top's First Album. Show all posts
Showing posts with label ZZ Top's First Album. Show all posts

Saturday, January 16, 2016

ZZ Top's First Album



I think ZZ Top must have taken a lot of people by surprise when the band released its first album on this day in 1971 — called, appropriately, "ZZ Top's First Album."

I don't know what the sales were like, but I don't really remember ZZ Top making much of a splash until the third album, "Tres Hombres," a couple of years later.

Consequently, I guess it was pretty ballsy (pardon my French) to call it the band's first album — which implies that there will be at least one more. Vulgar though it may be, the word ballsy is appropriate for the tone ZZ Top established in that debut album — if the implication is bold and not a more negative synonym.

That first album was raw, uneven at times, but the band served notice that it was a bluesy, Southern rock band with a sound all its own.

The only single that was released from that album was "(Somebody Else Been) Shaking Your Tree," but it was a cornerstone for the ZZ Top sound. It just never made it onto the Billboard charts.

As I say, the album was uneven. It certainly had its moments, though — moments when certain tracks just worked, you know?

And on those tracks that did work — and "(Somebody Else Been) Shaking Your Tree" was one of them — the future was revealed.

Part of that future was a song that became a staple in the band's concerts — "Backdoor Love Affair." I saw ZZ Top perform in Dallas — as a warmup band. No, it wasn't before ZZ Top became famous. In fact, it was long after that. ZZ Top was the warmup band for the Rolling Stones — and even the best of bands take second billing to the Stones.

Both acts were great, and I distinctly remember hearing ZZ Top play "Backdoor Love Affair."

Wow, I thought to myself. It's like the live side of "Fandango!" Well, except for the fact that the studio version was played a bit slower.

Another song that gave listeners a peek at what was to come with ZZ Top was "Brown Sugar" — and I am definitely not speaking of a cover of the Rolling Stones' song. This was an entirely different song with an entirely different kind of attitude.

And another song that I thought worked was called "Goin' Down to Mexico."

It had the sensation of ZZ Top — a sensation that hasn't really changed that much even as the band went through a rather extended synthesizer phase, during which ZZ Top introduced elements of new wave and punk rock to its sound.

I'm sure most ZZ Top fans were relieved — as I was — when the band returned to its guitar–driven roots in the early '90s.

But on this day in 1971, the band's Rock and Roll Hall of Fame career was just getting started.



Friday, July 26, 2013

Tres Hombres Was More Than 'The Blooze'



Forty years ago today, ZZ Top released their "Tres Hombres" album, and people suddenly began to pay attention to that little ol' band from Texas.

It's safe to say the album made stars of the members of ZZ Top (which is appropriate, I suppose, since they hail from the Lone Star State). And its influence continues. Rolling Stone named it #490 on its list of the top 500 albums of all time.

(Mind you, this was way before the members of ZZ Top grew their beards long enough to qualify them for spots on Duck Dynasty. In 1973, their beards probably were of average length.)

It was even before the phase of their career that was ushered in a decade later by the release of the "Eliminator" album and the hits that record spawned, like "Give Me All Your Lovin'" and "Legs."

Those who have been following ZZ Top a long time know "Eliminator" was a real departure from the traditional ZZ Top sound. It was the beginning of their synthesizer period, a time when their albums had several songs that made the Top 10.

Not that I have anything against making a buck. But 40 years ago, ZZ Top was still in an earthy, rough–around–the–edges, guitar–driven period that marked nearly every song the band recorded. Eventually, they returned to that sound in a manner of speaking, but it's never been quite the same as it was when ZZ Top released albums like "Tres Hombres."

ZZ Top released two albums prior to "Tres Hombres," but neither had a blockbuster song that could grab people's attention. Don't get me wrong. The music on those albums was good, and people took a second look at them after "Tres Hombres" was released.

They were a hot little ol' band from Texas.

"Tres Hombres" hit Billboard's Top 10, and it produced the group's first hit single, "La Grange." It's a great song, and it should be. It was inspired by John Lee Hooker's "Boogie Chillen." That one, along with "Tush" from ZZ Top's next album, are, as they have been for quite awhile, ZZ Top's signature songs.

But the song from "Tres Hombres" that I've always preferred was never released as a single.

ZZ Top didn't release many singles in those days. "Tres Hombres" only released "La Grange," but folks who bought the album discovered there was more there. Lots more.

Anyway, back to my favorite ...

"Hot, Blue and Righteous."

When most music lovers want to talk about "Tres Hombres," they focus on "La Grange" — or "Waitin' for the Bus," "Jesus Just Left Chicago" or "Beer Drinkers and Hell Raisers."

Those are the Texas party songs. The drinking and getting rowdy songs. "The blooze," I've heard them called. Nothing wrong with that.

But "Hot, Blue and Righteous" wasn't hard–driving rock. It was real Texas blues.

It was a nice departure from the more up–tempo, boogie type music they usually recorded. It was smooth, like good sippin' whiskey, with a strong finishing kick.

You could hear that same kind of blues sound on the first two ZZ Top albums, sandwiched in between all the "blooze." You could hear it in "Sure Got Cold After the Rain Fell" on the "Rio Grande Mud" album. You could hear it in "Old Man" on "ZZ Top's First Album."

But it never ever sounded like it did in "Hot, Blue and Righteous." Not before. Not since.